Facing the Colours of Roman Portraiture : : Exploring the Materiality of Ancient Polychrome Forms / / Amalie Skovmøller.
The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not be...
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| Superior document: | Title is part of eBook package: De Gruyter DG Ebook Package English 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Image & Context ,
19 |
| Online Access: | |
| Physical Description: | 1 online resource (XI, 361 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Prologue: From Reuterswärd to Bunte Götter
- Introduction
- Part 1: Painting the Portrait Body
- Introduction
- Chapter 1: Marble Portraits from the Room of Fundilia
- Chapter 2: Sculpting and Painting the Fundilia Portraits
- Chapter 3: Marble and Textiles – Pigments and Dyes
- Part 2: Painting the Portrait Head and Face
- Introduction
- Chapter 4: Polychrome High-Gloss Polished Portraits from the Early Third Century CE
- Chapter 5: Reconstructing the Painted Portrait of a Roman Youth
- Chapter 6: Painting White Marble Skin
- Chapter 7: Painting Replicas
- Part 3: Painted Marble Portraits in Context
- Introduction
- Chapter 8: Colours in Context
- Chapter 9: Roman Sculptural Polychromy
- Epilogue: Colour. And Now What?
- Appendix
- Research Strategies and Methodologies
- Catalogue
- Notes
- Bibliography
- List Of Figures
- Index