Affect Poetics of the New Hollywood : : Suspense, Paranoia, and Melancholy / / Hauke Lehmann.
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduc...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter DG Ebook Package English 2020 |
|---|---|
| VerfasserIn: | |
| MitwirkendeR: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2019] ©2020 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Cinepoetics – English edition ,
7 |
| Online Access: | |
| Physical Description: | 1 online resource (VIII, 276 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- 1 Splitting the Spectator
- 2 Suspense: Forms of Cinematic Thinking
- 3 Paranoia: Forms of Mediatization
- 4 Melancholy: Ways of Perceiving History
- 5 A History of Feeling
- List of figures
- Bibliography
- Subject index
- Name index