Performing Manuscript Culture : : Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" / / Elisabeth Kempf.
This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed thro...
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| Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2017 Part 1 |
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| VerfasserIn: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2016] ©2017 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Trends in Medieval Philology ,
33 |
| Online Access: | |
| Physical Description: | 1 online resource (IX, 207 p.) |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- Abbreviations
- 1. Introduction: the Regement of Princes as a Manuscript Fiction
- 2 “Hoccleve, fadir myn, men clepen me”: Textual Biography in the Regement of Princes
- 3. “That text I undirstonde thus alwey”: Glosinge in the Regement of Princes
- 4. “Of his persone, I have heere his liknesse Do make”: Mediality and Conceptions of Authorship in the Regement of Princes
- 5. Conclusions
- Works Cited
- Images
- Indices