The Final Spectacle : : Military Painting under the Second Empire, 1855-1867 / / Julia Thoma.
The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war re...
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| Superior document: | Title is part of eBook package: De Gruyter DG Plus eBook-Package 2019 |
|---|---|
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (358 p.) |
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| 001 | 9783110497489 | ||
| 003 | DE-B1597 | ||
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| 100 | 1 | |a Thoma, Julia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Final Spectacle : |b Military Painting under the Second Empire, 1855-1867 / |c Julia Thoma. |
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (358 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t Abstract -- |t Introduction -- |t I. Military Paintings in 1855 -- |t II. The Second Empire’s Influence on Military Paintings -- |t III. Painting the Crimean War -- |t IV. Yvon’s Bataille de Solférino (1861) and the Decline of the Spectacular Mode -- |t V. Genre Paintings of Military Subjects -- |t Conclusion -- |t Bibliography -- |t Image Credits |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) | |
| 650 | 0 | |a Armed Forces and the arts |z France. | |
| 650 | 0 | |a Armed Forces in art. | |
| 650 | 0 | |a Frankenreich. | |
| 650 | 0 | |a History painting, French |y 19th century. | |
| 650 | 0 | |a Militärmalerei. | |
| 650 | 0 | |a Schlachtenbild. | |
| 650 | 0 | |a War in art. | |
| 650 | 4 | |a Frankreich. | |
| 650 | 4 | |a Militärmalerei. | |
| 650 | 7 | |a ART / History / Modern (late 19th Century to 1945). |2 bisacsh | |
| 653 | |a France. | ||
| 653 | |a military painting. | ||
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 English |z 9783110610765 |
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| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110497489 |
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