Musical Biographies : : The Music of Memory in Post-1945 German Literature / / Michal Ben-Horin.
Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic ex...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2016 Part 1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | Interdisciplinary German Cultural Studies ,
20 |
Online Access: | |
Physical Description: | 1 online resource (VIII, 173 p.) |
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LEADER | 05776nam a22009975i 4500 | ||
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100 | 1 | |a Ben-Horin, Michal, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Musical Biographies : |b The Music of Memory in Post-1945 German Literature / |c Michal Ben-Horin. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (VIII, 173 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Interdisciplinary German Cultural Studies , |x 1861-8030 ; |v 20 | |
505 | 0 | 0 | |t Frontmatter -- |t Acknowledgments -- |t Contents -- |t Overture. German Catastrophe and the Rebirth of Musical Biography -- |t 1. Thomas Mann: Dissonance as a Mode of Documentation -- |t Interlude I. Siegfried: Atonality and Decentralized Narrative -- |t 2. Günter Grass: Rhythms of a Fictitious Testimony -- |t Interlude II. Clown: Ironic Tune between Memory and Oblivion -- |t 3. Ingeborg Bachmann: The Resonance of Trauma -- |t Interlude III. Pianist: Austria from a Musician’s Perspective -- |t 4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- |t Interlude IV. Composer: Sound Transfiguration after Reunification -- |t Coda. The End of Musical Biography? -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
650 | 0 | |a German fiction |x History and criticism |x 20th century. | |
650 | 0 | |a German fiction |y 20th century |x History and criticism. | |
650 | 0 | |a Memory in literature. | |
650 | 0 | |a Music and literature |x History |x 20th century |x Austria. | |
650 | 0 | |a Music and literature |x History |x 20th century |x Germany. | |
650 | 0 | |a Music and literature |z Austria |x History |y 20th century. | |
650 | 0 | |a Music and literature |z Germany |x History |y 20th century. | |
650 | 0 | |a Music in literature |x Austria |x Germany |x Criticism, interpretation, etc |x History. | |
650 | 0 | |a Music in literature. | |
650 | 4 | |a Erzählwissenschaft. | |
650 | 4 | |a Holocaust. | |
650 | 4 | |a Kultur / Deutschland. | |
650 | 4 | |a Musikalische Poetik. | |
650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
653 | |a German culture. | ||
653 | |a Holocaust. | ||
653 | |a Musical Poetics. | ||
653 | |a narrative. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus DeG Package 2016 Part 1 |z 9783110762501 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus eBook-Package 2016 |z 9783110701005 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2016 |z 9783110485103 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Literary, Cultural and Area Studies 2016 |z 9783110485264 |o ZDB-23-DKU |
776 | 0 | |c EPUB |z 9783110460469 | |
776 | 0 | |c print |z 9783110457957 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783110460933 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110460933 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783110460933/original |
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