Roman Drama and its Contexts / / ed. by Stavros Frangoulidis, Stephen J. Harrison, Gesine Manuwald.

• Superior document: Title is part of eBook package: De Gruyter DG Plus DeG Package 2016 Part 1
• MitwirkendeR: Antoniadis, Theodoros,; Augoustakis, Antony,; Caston, Ruth Rothaus,; Christenson, David,; Connors, Catherine,; Dinter, Martin T.,; Dutsch, Dorota,; Fontaine, Michael,; Frangoulidis, Stavros,; Gellar-Goad, T. H. M.,; Germany, Robert,; Ginsberg, Lauren Donovan,; Gowers, Emily,; Harrison, Stephen,; Hunter, Richard,; Karakasis, Evangelos,; Konstan, David,; Konstantakos, Ioannis M.,; Littlewood, Cedric,; Manuwald, Gesine,; Marshall, C. W.,; Mayer, Roland,; McCarthy, Kathleen,; Moore, Timothy J.,; Papaioannou, Sophia,; Philippides, Katerina,; Richlin, Amy,; Schiesaro, Alessandro,; Sharrock, Alison,; Slater, Niall W.,; Telò, Mario,; Trinacty, Christopher,; Zimmermann, Bernhard,
• HerausgeberIn: Frangoulidis, Stavros,; Harrison, Stephen J.,; Manuwald, Gesine,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2016]; ©2016
• Year of Publication: 2016
• Language: English
• Series: Trends in Classics - Supplementary Volumes , 34
• Physical Description: 1 online resource (XII, 625 p.)

Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to addr...

Table of Contents

• Frontmatter
• Preface
• Table of Contents
• Introduction: Roman Drama and its Contexts
• Part I: Roman Comedy
• Some Dramatic Terminology
• Bacchus in Roman Drama
• Speculating in Unreal Estate: Locution, Locution, Locution
• The Kings of Comedy
• Genre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation
• Sententiousness in Roman Comedy – A Moralising Reading
• Plautus’ Aulularia and Popular Narrative Tradition
• Plautus Undoing Himself – What is Funny and What is Plautine in Stichus and Trinummus?
• Prologues between Performance and Fiction
• All’s Well That Ends Well? Old Fools, Morality, and Epilogues in Plautus
• Plautus’ Curculio and the Case of the Pious Pimp
• The Young Man in Plautus’ Asinaria 127–248
• Civic Reassignment of Space in the Truculentus
• Nothing to do with Fides? The Speaker of the Prologue and the Reproduction of Citizenship in Plautus’ Casina
• Symmetrical Recognitions in Plautus’ Epidicus
• Basket Case: Material Girl and Animate Object in Plautus’s Cistellaria
• Elements of Pantomime in Plautus’ Comedies
• Part II: Roman Tragedy
• History and Philosophy in Roman Republican Drama and Beyond
• Music in Roman Tragedy
• Seneca, Horace and the Poetics of Transgression
• Tragic Translatio: Epistle 107 and Senecan Tragedy
• Seneca’s Agamemnon: Mycenaean Becoming Trojan
• When Reason Surrenders its Authority: Thyestes’ Approach to Atreus’ Palace
• History as Intertext and Intertext as History in the Octavia
• Part III: Reception of Comedy and Tragedy
• Terence and Satire
• How to Do Things with Words – and Pictures: Text and Image in the Parisian Terence
• Is the Story of Susanna and the Elders Based on a Greek New Comedy?
• Terence’s Comedies in the Terentius Christianus: The Case of Naaman
• Petronian Spectacles: The Widow of Ephesus Generically Revisited
• Furor and Kin(g)ship in Seneca’s Thyestes and Valerius Flaccus’ Argonautica (1.700–850)
• Noises Off: The Thyestes Theme in Tacitus’ Dialogus
• Seneca’s Ted Hughes
• Seneca’s Thyestes: Three Female Translators into English
• Notes on Contributors
• General Index
• Index locorum