Typographorum Emblemata : : The Printer’s Mark in the Context of Early Modern Culture / / ed. by Bernhard F. Scholz, Anja Wolkenhauer.
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2018 Part 1 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter Saur, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Schriftmedien – Kommunikations- und buchwissenschaftliche Perspektiven ,
4 |
Online Access: | |
Physical Description: | 1 online resource (XI, 429 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Preface
- Part A: Beginnings and Provenances
- Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years
- Ekphrasis and Printer’s Signets
- Beastly Devices: Early Printer’s Marks and Their Medieval Origins
- From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600
- Part B: Regions & Places
- Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (Fifteenth and Sixteenth Centuries)
- Jewish Printers’ Marks from Poland (Sixteenth-Seventeenth Centuries)
- Fama Typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in Sixteenth- and Seventeenth-Century Poland
- Pallas Nostra Salus. Early Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity
- Early Modern Munich Printer’s Marks (and Related Issues)
- The Printer’s Mark in Early Modern Sweden
- Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century
- Part C: Concepts, Historical and Systematic
- The Truth of Printer’s Marks: Andrea Alciato on “Aldo’s Anchor”, “Froben’s Dove” and “Calvo’s Elephant”. A Closer Look at Alciato’s Concept of the Printer’s Mark
- The Legal Significance and Humanist Ethos of Printers’ Insignia
- The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs
- Mottos in Printers’ Devices – Thoughts about the Hungarian Usage
- European Printers’ and Publishers’ Marks in the Eighteenth Century. The Three C’s: Conformity, Continuity and Change
- In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark
- Part D: Research Bibliography and Index
- Research Bibliography: The Early Modern Printer’s Mark in Its Cultural Contexts
- Contributors
- Index