Aristophanes and Alcibiades : : Echoes of Contemporary History in Athenian Comedy / / Michael Vickers.

The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was be...

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Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2015
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2015]
©2015
Year of Publication:2015
Language:English
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Physical Description:1 online resource (241 p.)
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245 1 0 |a Aristophanes and Alcibiades :  |b Echoes of Contemporary History in Athenian Comedy /  |c Michael Vickers. 
264 1 |a Berlin ;  |a Boston :   |b De Gruyter,   |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (241 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Abbreviations --   |t Chapter 1. Political Allegory in Aristophanes --   |t Chapter 2. Wordplay; Pericles, Alcibiades and Aspasia on Stage --   |t Chapter 3. Pericles (and Alcibiades) on Stage: The Story So Far --   |t Chapter 4. The Tragic Context: the Case of Euripides’ Ion --   |t Chapter 5. Happy Families: Plutus i --   |t Chapter 6. Home Economics: Plutus ii --   |t Chapter 7. “The Woman of Old”: Euripides’ Helen and Andromeda --   |t Chapter 8. “Alcibiades is a Woman’s Man”: Lysistrata --   |t Chapter 9. Alcibiades in Gaol: Thesmophoriazusae --   |t Chapter 10. Frogs: Nothing to Do With Literature --   |t Chapter 11. Aspasia on Stage: Ecclesiazusae --   |t Conclusion --   |t Appendix 1 Alcibiades’ “Servile Birth”, Alcibiades’ “Matrophilia”: Inventions of the Stage? --   |t Appendix 2. The Athenian Plague of 430–428 BC --   |t Appendix 3. Keith Sidwell’s Aristophanes the Democrat --   |t Bibliography --   |t Index Locorum --   |t General Index  
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was being attacked” is hardly ever invoked. If these testimonia are taken into account, a fascinating picture emerges, where the komodoumenoi are based on the Periclean household: older characters on Pericles himself, younger on Alcibiades. Aspasia, Pericles’ mistress, and Hipparete, Alcibiades’ wife, lie behind many female characters, and Alcibiades’ ambiguous sexuality also allows him to be shown on the stage as a woman, notably as Lysistrata. There is a substantial overlap between the anecdotal tradition relating to the historical figures and the plotting of Aristophanes’ plays. This extends to speech patterns, where Alcibiades’ speech defect is lampooned. Aristophanes is consistently critical of Alcibiades’ mercurial politics, and his works can also be seen to have served as an aide-mémoire for Thucydides and Xenophon. If the argument presented here is correct, then much current scholarship on Aristophanes can be set aside.  
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020) 
650 0 |a Greek drama (Comedy)  |x History and criticism. 
650 0 |a Politics in literature. 
650 4 |a Word-play. 
650 4 |a allegory. 
650 4 |a anecdotes. 
650 4 |a innuendo. 
650 7 |a LITERARY CRITICISM / Ancient & Classical.  |2 bisacsh 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t EBOOK PACKAGE Classical Studies 2015  |z 9783110438604  |o ZDB-23-DGD 
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