Commentarius in Claudii Ptolemaei Harmonica / / Porphyrius; Massimo Raffa.

Porphyry’s Commentary on Ptolemy’s “Harmonics” is a unique document of Neoplatonic thought on music. Not only does it contain a thorough discussion of the perception and appreciation of pitched sounds, but it also gives us a hint of how the technicalities of music theory might have been taught to no...

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Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2017 Part 1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2016]
©2017
Year of Publication:2016
Language:Ancient Greek
Series:Bibliotheca scriptorum Graecorum et Romanorum Teubneriana ,
Online Access:
Physical Description:1 online resource (XLV, 324 p.)
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100 1 |a Porphyrius,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Commentarius in Claudii Ptolemaei Harmonica /  |c Porphyrius; Massimo Raffa. 
264 1 |a Berlin ;  |a Boston :   |b De Gruyter,   |c [2016] 
264 4 |c ©2017 
300 |a 1 online resource (XLV, 324 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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490 0 |a Bibliotheca scriptorum Graecorum et Romanorum Teubneriana ,  |x 1864-399X 
502 |a Dissertation  |c University of Calabria  |d 2014. 
505 0 0 |t Frontmatter --   |t Hoc volvmine continentvr --   |t Praefatio --   |t Conspectvs librorvm --   |t Conspectvs siglorvm --   |t Adnotatio ad textvm --   |t Πορφυρίου εἰς τὰ Ἁρμονικὰ Πτολεμαίου Ὑπόμνημα --   |t ΒΙΒΛΙΟΝ Αʹ --   |t ΠΟΡΦΥΡΙΟΥ ΥΠΟΜΝΗΜΑ ΕΙΣ ΤΟ ΔΕΥΤΕΡΟΝ ΤΩΝ ΠΤΟΛΕΜΑΙΟΥ ΑΡΜΟΝΙΚΩΝ --   |t APPENDIX I. --   |t APPENDIX II --   |t Index avctorvm --   |t Index verborvm 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Porphyry’s Commentary on Ptolemy’s “Harmonics” is a unique document of Neoplatonic thought on music. Not only does it contain a thorough discussion of the perception and appreciation of pitched sounds, but it also gives us a hint of how the technicalities of music theory might have been taught to non specialised readers with a philosophical background; moreover, it is a treasure of "ations from lost authors and works. The apparatus of this new edition includes all the emendations and conjectures that have been proposed by many scholars since Ingemar Düring’s 1932 edition and takes into account a few manuscripts that escaped the previous editor’s otherwise remarkable recensio. The boundaries of some "ations from ancient authors are redefined and many misprints corrected. Finally, the text of the Byzantine epitome of the Commentary is here edited for the first time. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In Greek, Ancient (to 1453). 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) 
650 0 |a Music theory  |v Early works to 1800. 
650 0 |a Music theory  |x Early works to 1800. 
650 0 |a Music, Greek and Roman  |x Early works to 1800  |x History and criticism  |x Criticism, interpretation, etc  |x Early works. 
650 0 |a Music, Greek and Roman  |x History and criticism  |v Early works to 1800. 
650 4 |a Harmonik. 
650 4 |a Neuplatonismus. 
650 4 |a Porphyrios. 
650 7 |a LITERARY CRITICISM / Ancient & Classical.  |2 bisacsh 
653 |a Harmonics. 
653 |a Neoplatonism. 
653 |a Porphyry. 
700 1 |a Raffa, Massimo,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t EBOOK PACKAGE Classical Studies 2016  |z 9783110485097  |o ZDB-23-DGD 
776 0 |c print  |z 9783110425161 
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