Handbook of British Romanticism / / Ralf Haekel.

The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2017]
©2017
Year of Publication:2017
Language:English
Series:Handbooks of English and American Studies ; 6
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Physical Description:1 online resource (725 p.)
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id 9783110376692
ctrlnum (DE-B1597)429650
(OCoLC)1004876489
collection bib_alma
record_format marc
spelling Handbook of British Romanticism / Ralf Haekel.
Berlin ; Boston : De Gruyter, [2017]
©2017
1 online resource (725 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Handbooks of English and American Studies ; 6
Frontmatter -- Contents -- 0. Romanticism and Theory: An Introduction / Haekel, Ralf -- Part I. Systematic Questions -- 1. Political and Social History c. 1780-1832 / Sedlmayr, Gerold -- 2. Gender and Class / Schabert, Ina -- 3. Regional Romanticisms / Rennhak, Katharina -- 4. Urban Romanticism / Gurr, Jens Martin -- 5. Romanticism and the Philosophy of Religion / Prickett, Stephen -- 6. Popular and Media Culture / Reinfandt, Christoph -- 7. Science and Knowledge / Berns, Ute -- 8. The European Context / Lessenich, Rolf -- Part II. Romantic Genres -- 9. The Lyric / O'Neill, Michael -- 10. Theatre and Drama / Burwick, Frederick -- 11. Fiction / Heinen, Sandra -- 12. Romantic Travel Books / Meyer, Michael -- Part III. Close Readings -- 13. Robert Burns, Selected Poetry (1791-1795) / Sandrock, Kirsten -- 14. William Blake, America (1793) / Lüdeke, Roger -- 15. William Godwin, Caleb Williams (1794) / Schwalm, Helga -- 16. Ann Radcliffe, The Mysteries of Udolpho (1794) / Alber, Jan -- 17. Joanna Baillie, Plays on the Passions (1798) / Schaff, Barbara -- 18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) / Domsch, Sebastian -- 19. Samuel Taylor Coleridge, "The Rime of the Ancient Mariner" (1798) / Vigus, James -- 20. Maria Edgeworth, Castle Rackrent (1800) / Fest, Kerstin -- 21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) / Bruhn, Mark J. -- 22. Mary Tighe, Psyche (1805) / Linkin, Harriet Kramer -- 23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) / Haekel, Ralf -- 24. Charlotte Smith, Beachy Head (1807) / Radu, Anca-Raluca -- 25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) / Murphy, Olivia -- 26. Thomas Moore, Irish Melodies (1808- 1834) / Pointner, Frank Erik / Weißenfels, Dennis -- 27. Jane Austen, Pride and Prejudice (1813) / Bayerlipp, Susanne / Schlegel, Johannes -- 28. Sir Walter Scott, Waverley (1814) / Reitemeier, Frauke -- 29. Mary Shelley, Frankenstein (1818) / Schlegel, Johannes -- 30. Lord Byron, Don Juan (1818-1824) / Lennartz, Norbert -- 31. John Keats, The Odes (1819) / Müller, Wolfgang G. -- 32. Percy Bysshe Shelley, Selected Poetry (1819-1822) / Schmid, Susanne -- 33. Charles Maturin, Melmoth the Wanderer (1820) / Meifert-Menhard, Felicitas -- 34. James Hogg, The Confessions of a Justified Sinner (1824) / Campbell, Ian -- 35. Felicia Hemans, The Forest Sanctuary (1825) / Saglia, Diego -- 36. William Hazlitt, The Spirit of the Age (1825) / Cook, Jon -- 37. Thomas Lovell Beddoes, Death's Jest-Book (1829) / van Woudenberg, Maximiliaan -- 38. Thomas Carlyle, Sartor Resartus (1833-1834) / Fischer, Tiana M. -- Index of Subjects and Places -- Index of Names and Works -- List of Contributors
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Mai 2019)
English literature 18th century History and criticism.
English literature 19th century History and criticism.
Romanticism Great Britain.
English literature 1780-1830.
Romantic literature and culture.
literary and cultural theory.
(DE-601)106181858 (DE-588)4050491-8 Romantik gnd
(DE-601)106245015 (DE-588)4035964-5 Literatur gnd
(DE-601)106338749 (DE-588)4014777-0 Englisch gnd
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh
Haekel, Ralf, editor.
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017 9783110540550 ZDB-23-DGG
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE ENGLISH 2017 9783110625264
Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural and Area Studies 2017 9783110548198 ZDB-23-DKU
EPUB 9783110393408
print 9783110376364
https://doi.org/10.1515/9783110376692
Cover https://www.degruyter.com/cover/covers/9783110376692.jpg
language English
format eBook
author2 Haekel, Ralf,
author_facet Haekel, Ralf,
author2_variant r h rh
author2_role TeilnehmendeR
author_additional Haekel, Ralf --
Sedlmayr, Gerold --
Schabert, Ina --
Rennhak, Katharina --
Gurr, Jens Martin --
Prickett, Stephen --
Reinfandt, Christoph --
Berns, Ute --
Lessenich, Rolf --
O'Neill, Michael --
Burwick, Frederick --
Heinen, Sandra --
Meyer, Michael --
Sandrock, Kirsten --
Lüdeke, Roger --
Schwalm, Helga --
Alber, Jan --
Schaff, Barbara --
Domsch, Sebastian --
Vigus, James --
Fest, Kerstin --
Bruhn, Mark J. --
Linkin, Harriet Kramer --
Radu, Anca-Raluca --
Murphy, Olivia --
Pointner, Frank Erik / Weißenfels, Dennis --
Bayerlipp, Susanne / Schlegel, Johannes --
Reitemeier, Frauke --
Schlegel, Johannes --
Lennartz, Norbert --
Müller, Wolfgang G. --
Schmid, Susanne --
Meifert-Menhard, Felicitas --
Campbell, Ian --
Saglia, Diego --
Cook, Jon --
van Woudenberg, Maximiliaan --
Fischer, Tiana M. --
title Handbook of British Romanticism /
spellingShingle Handbook of British Romanticism /
Handbooks of English and American Studies ;
Frontmatter --
Contents --
0. Romanticism and Theory: An Introduction /
Part I. Systematic Questions --
1. Political and Social History c. 1780-1832 /
2. Gender and Class /
3. Regional Romanticisms /
4. Urban Romanticism /
5. Romanticism and the Philosophy of Religion /
6. Popular and Media Culture /
7. Science and Knowledge /
8. The European Context /
Part II. Romantic Genres --
9. The Lyric /
10. Theatre and Drama /
11. Fiction /
12. Romantic Travel Books /
Part III. Close Readings --
13. Robert Burns, Selected Poetry (1791-1795) /
14. William Blake, America (1793) /
15. William Godwin, Caleb Williams (1794) /
16. Ann Radcliffe, The Mysteries of Udolpho (1794) /
17. Joanna Baillie, Plays on the Passions (1798) /
18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) /
19. Samuel Taylor Coleridge, "The Rime of the Ancient Mariner" (1798) /
20. Maria Edgeworth, Castle Rackrent (1800) /
21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) /
22. Mary Tighe, Psyche (1805) /
23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) /
24. Charlotte Smith, Beachy Head (1807) /
25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) /
26. Thomas Moore, Irish Melodies (1808- 1834) /
27. Jane Austen, Pride and Prejudice (1813) /
28. Sir Walter Scott, Waverley (1814) /
29. Mary Shelley, Frankenstein (1818) /
30. Lord Byron, Don Juan (1818-1824) /
31. John Keats, The Odes (1819) /
32. Percy Bysshe Shelley, Selected Poetry (1819-1822) /
33. Charles Maturin, Melmoth the Wanderer (1820) /
34. James Hogg, The Confessions of a Justified Sinner (1824) /
35. Felicia Hemans, The Forest Sanctuary (1825) /
36. William Hazlitt, The Spirit of the Age (1825) /
37. Thomas Lovell Beddoes, Death's Jest-Book (1829) /
38. Thomas Carlyle, Sartor Resartus (1833-1834) /
Index of Subjects and Places --
Index of Names and Works --
List of Contributors
title_full Handbook of British Romanticism / Ralf Haekel.
title_fullStr Handbook of British Romanticism / Ralf Haekel.
title_full_unstemmed Handbook of British Romanticism / Ralf Haekel.
title_auth Handbook of British Romanticism /
title_alt Frontmatter --
Contents --
0. Romanticism and Theory: An Introduction /
Part I. Systematic Questions --
1. Political and Social History c. 1780-1832 /
2. Gender and Class /
3. Regional Romanticisms /
4. Urban Romanticism /
5. Romanticism and the Philosophy of Religion /
6. Popular and Media Culture /
7. Science and Knowledge /
8. The European Context /
Part II. Romantic Genres --
9. The Lyric /
10. Theatre and Drama /
11. Fiction /
12. Romantic Travel Books /
Part III. Close Readings --
13. Robert Burns, Selected Poetry (1791-1795) /
14. William Blake, America (1793) /
15. William Godwin, Caleb Williams (1794) /
16. Ann Radcliffe, The Mysteries of Udolpho (1794) /
17. Joanna Baillie, Plays on the Passions (1798) /
18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) /
19. Samuel Taylor Coleridge, "The Rime of the Ancient Mariner" (1798) /
20. Maria Edgeworth, Castle Rackrent (1800) /
21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) /
22. Mary Tighe, Psyche (1805) /
23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) /
24. Charlotte Smith, Beachy Head (1807) /
25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) /
26. Thomas Moore, Irish Melodies (1808- 1834) /
27. Jane Austen, Pride and Prejudice (1813) /
28. Sir Walter Scott, Waverley (1814) /
29. Mary Shelley, Frankenstein (1818) /
30. Lord Byron, Don Juan (1818-1824) /
31. John Keats, The Odes (1819) /
32. Percy Bysshe Shelley, Selected Poetry (1819-1822) /
33. Charles Maturin, Melmoth the Wanderer (1820) /
34. James Hogg, The Confessions of a Justified Sinner (1824) /
35. Felicia Hemans, The Forest Sanctuary (1825) /
36. William Hazlitt, The Spirit of the Age (1825) /
37. Thomas Lovell Beddoes, Death's Jest-Book (1829) /
38. Thomas Carlyle, Sartor Resartus (1833-1834) /
Index of Subjects and Places --
Index of Names and Works --
List of Contributors
title_new Handbook of British Romanticism /
title_sort handbook of british romanticism /
series Handbooks of English and American Studies ;
series2 Handbooks of English and American Studies ;
publisher De Gruyter,
publishDate 2017
physical 1 online resource (725 p.)
contents Frontmatter --
Contents --
0. Romanticism and Theory: An Introduction /
Part I. Systematic Questions --
1. Political and Social History c. 1780-1832 /
2. Gender and Class /
3. Regional Romanticisms /
4. Urban Romanticism /
5. Romanticism and the Philosophy of Religion /
6. Popular and Media Culture /
7. Science and Knowledge /
8. The European Context /
Part II. Romantic Genres --
9. The Lyric /
10. Theatre and Drama /
11. Fiction /
12. Romantic Travel Books /
Part III. Close Readings --
13. Robert Burns, Selected Poetry (1791-1795) /
14. William Blake, America (1793) /
15. William Godwin, Caleb Williams (1794) /
16. Ann Radcliffe, The Mysteries of Udolpho (1794) /
17. Joanna Baillie, Plays on the Passions (1798) /
18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) /
19. Samuel Taylor Coleridge, "The Rime of the Ancient Mariner" (1798) /
20. Maria Edgeworth, Castle Rackrent (1800) /
21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) /
22. Mary Tighe, Psyche (1805) /
23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) /
24. Charlotte Smith, Beachy Head (1807) /
25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) /
26. Thomas Moore, Irish Melodies (1808- 1834) /
27. Jane Austen, Pride and Prejudice (1813) /
28. Sir Walter Scott, Waverley (1814) /
29. Mary Shelley, Frankenstein (1818) /
30. Lord Byron, Don Juan (1818-1824) /
31. John Keats, The Odes (1819) /
32. Percy Bysshe Shelley, Selected Poetry (1819-1822) /
33. Charles Maturin, Melmoth the Wanderer (1820) /
34. James Hogg, The Confessions of a Justified Sinner (1824) /
35. Felicia Hemans, The Forest Sanctuary (1825) /
36. William Hazlitt, The Spirit of the Age (1825) /
37. Thomas Lovell Beddoes, Death's Jest-Book (1829) /
38. Thomas Carlyle, Sartor Resartus (1833-1834) /
Index of Subjects and Places --
Index of Names and Works --
List of Contributors
isbn 9783110376692
9783110540550
9783110625264
9783110548198
9783110393408
9783110376364
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR457
callnumber-sort PR 3457 H25 42017
geographic_facet Great Britain.
era_facet 18th century
19th century
url https://doi.org/10.1515/9783110376692
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illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 820 - English & Old English literatures
dewey-full 820
dewey-sort 3820
dewey-raw 820
dewey-search 820
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Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE ENGLISH 2017
Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural and Area Studies 2017
is_hierarchy_title Handbook of British Romanticism /
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Lord Byron, Don Juan (1818-1824) / </subfield><subfield code="r">Lennartz, Norbert -- </subfield><subfield code="t">31. John Keats, The Odes (1819) / </subfield><subfield code="r">Müller, Wolfgang G. -- </subfield><subfield code="t">32. Percy Bysshe Shelley, Selected Poetry (1819-1822) / </subfield><subfield code="r">Schmid, Susanne -- </subfield><subfield code="t">33. Charles Maturin, Melmoth the Wanderer (1820) / </subfield><subfield code="r">Meifert-Menhard, Felicitas -- </subfield><subfield code="t">34. James Hogg, The Confessions of a Justified Sinner (1824) / </subfield><subfield code="r">Campbell, Ian -- </subfield><subfield code="t">35. Felicia Hemans, The Forest Sanctuary (1825) / </subfield><subfield code="r">Saglia, Diego -- </subfield><subfield code="t">36. William Hazlitt, The Spirit of the Age (1825) / </subfield><subfield code="r">Cook, Jon -- </subfield><subfield code="t">37. Thomas Lovell Beddoes, Death's Jest-Book (1829) / </subfield><subfield code="r">van Woudenberg, Maximiliaan -- </subfield><subfield code="t">38. Thomas Carlyle, Sartor Resartus (1833-1834) / </subfield><subfield code="r">Fischer, Tiana M. -- </subfield><subfield code="t">Index of Subjects and Places -- </subfield><subfield code="t">Index of Names and Works -- </subfield><subfield code="t">List of Contributors</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. 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