The Ends of Satire : : Legacies of Satire in Postwar German Writing / / Daniel Bowles.
How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devi...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2015 Part 1 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | Paradigms : Literature and the Human Sciences ,
2 |
Online Access: | |
Physical Description: | 1 online resource (231 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 04849nam a2200865 4500 | ||
---|---|---|---|
001 | 9783110359534 | ||
003 | DE-B1597 | ||
005 | 20240625070013.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 240625t20152015gw fo d z eng d | ||
010 | |a 2015000609 | ||
019 | |a (OCoLC)948656045 | ||
020 | |a 9783110359534 | ||
024 | 7 | |a 10.1515/9783110359534 |2 doi | |
035 | |a (DE-B1597)426235 | ||
035 | |a (OCoLC)952806751 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a gw |c DE | ||
050 | 0 | 0 | |a PT851 |b .B68 2015 |
050 | 4 | |a PT851 |b .B68 2015 | |
072 | 7 | |a LIT004170 |2 bisacsh | |
082 | 0 | 4 | |8 1u |a 837.91409 |q DE-101 |2 22/ger |
100 | 1 | |a Bowles, Daniel, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Ends of Satire : |b Legacies of Satire in Postwar German Writing / |c Daniel Bowles. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (231 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Paradigms : Literature and the Human Sciences , |x 2195-2205 ; |v 2 | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction. Satire around 1800: Jean Paul -- |t 1. Prolegomena -- |t 2. The Case of Jean Paul: Unreadable Writing, Unwritable Readings -- |t Part One. Inversion -- |t 3. The Carnivalesque in Mikhail Bakhtin’s Rabelais and His World (1965) -- |t 4. Perspective and Repetition in Thomas Bernhard’s Woodcutters (1984) -- |t 5. Destructive Negativity: Thomas Bernhard and Extinction (1986) -- |t Part Two. Mythification -- |t 6. Between Theory and Literature: Roland Barthes’ Mythologies (1957) -- |t 7. Elfriede Jelinek’s Mythic Lust (1989) -- |t 8. Viennese Paradigms in Elfriede Jelinek’s The Piano Teacher (1983) -- |t Part Three. Citation -- |t 9. From Stage to Page: Judith Butler and Gender Trouble (1990) -- |t 10. Performing Theory in Literature: Thomas Meinecke’s Tomboy (1998) -- |t 11. Infinite Paradise of the Infinite Text: Thomas Meinecke’s Music (2004) -- |t Conclusion. Satire after Satire -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
650 | 0 | |a German literature |y 20th century |x History and criticism. | |
650 | 0 | |a Literary Studies |x German Literature |x 20th Century. | |
650 | 0 | |a Literary Studies |x German Literature |x German Literature, general. | |
650 | 0 | |a Literary Studies |x Literary Genres and Media |x Genre Studies, general. | |
650 | 0 | |a Literary Studies |x Literary Theory. | |
650 | 0 | |a Satire, German |x History and criticism. | |
650 | 7 | |a LITERARY CRITICISM / European / German. |2 bisacsh | |
653 | |a German. | ||
653 | |a Prose. | ||
653 | |a Satire. | ||
653 | |a Theory. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus DeG Package 2015 Part 1 |z 9783110762518 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus eBook-Package 2015 |z 9783110700985 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2015 |z 9783110439687 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Literary, Cultural and Area Studies 2015 |z 9783110438673 |o ZDB-23-DKU |
776 | 0 | |c EPUB |z 9783110386844 | |
776 | 0 | |c print |z 9783110359350 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783110359534 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110359534 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783110359534/original |
912 | |a 978-3-11-070098-5 DG Plus eBook-Package 2015 |b 2015 | ||
912 | |a 978-3-11-076251-8 DG Plus DeG Package 2015 Part 1 |b 2015 | ||
912 | |a EBA_BACKALL | ||
912 | |a EBA_CL_LT | ||
912 | |a EBA_DGALL | ||
912 | |a EBA_EBACKALL | ||
912 | |a EBA_EBKALL | ||
912 | |a EBA_ECL_LT | ||
912 | |a EBA_EEBKALL | ||
912 | |a EBA_ESSHALL | ||
912 | |a EBA_SSHALL | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a ZDB-23-DGG |b 2015 | ||
912 | |a ZDB-23-DKU |b 2015 |