Images of the Art Museum : : Connecting Gaze and Discourse in the History of Museology / / ed. by Eva-Maria Troelenberg, Melania Savino.
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Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2017 Part 1 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2017] ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Contact Zones : Studies in Global Art ,
3 |
Online Access: | |
Physical Description: | 1 online resource (VI, 376 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Images of the Art Museum. Connecting Gaze and Discourse in the History of Museology: An Introduction
- Museum Icons, Iconic Museums: (De-)Constructing the Body of Art
- The Art of Civilization: Museum Enemies in the Nineteenth Century
- Stefano Bardini and the Taxonomic Branding of Marketplace Style: From the Gallery of a Dealer to the Institutional Canon
- The Museum Exhibited: documenta and the Museum Fridericianum1
- Word and Image, Institution and Audience
- Museums in Print: The Interplay of Texts and Images in the Journal Museumskunde
- Creating the Idea of the Museum through the Pages of the Journal Mouseion
- The Visible and Invisible: Circulating Images of the Barnes Foundation Collection
- Double Reflections: Art Museums and the Image of the Beholder
- Politics of the “Museal Complex”
- From a Colonial Approach to National Branding: The Evolution of the Concept of the Art Museum in Georgia
- Classical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895–1947)
- Imaginaries of the Art Museum: Banaras and Aundh in Colonial India
- When El Greco (Re)Became Theotocopoulos: Policies and Political Discourse of the National Gallery of Athens
- Building Flagships: Regionalism, Place Branding, and Architecture as Image in the Gallery of Modern Art, Brisbane
- Intermedialities, Shifting Images
- Scottie Sees Beauty: Representations of the Museum in Classic Cinema
- The Museum in Print: André Malraux’s Musée Imaginaire and André Vigneau’s Photographic Encyclopaedia of Art
- The Museum Goes Collaborative: On the Digital Escapades of an Analogue Medium
- Museum as Textum: Orhan Pamuk’s Museum of Innocence
- Authors
- Picture Credits
- Plates