Lucillio, "Epigrammi" : : Introduzione, testo critico, traduzione e commento / / Lucia Floridi.

• Superior document: Title is part of eBook package: De Gruyter DGBA Classics and Near East Studies 2000 - 2014
• VerfasserIn: Floridi, Lucia,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2014]; ©2014
• Year of Publication: 2014
• Language: Italian
• Series: Texte und Kommentare : Eine altertumswissenschaftliche Reihe , 47
• Physical Description: 1 online resource (662 p.)
• Other title: Frontmatter --; Premessa --; Indice del volume --; Introduzione --; I. La vita --; II. Lucillio e l’epigramma scoptico --; III. Tecnica della versificazione --; IV. La tradizione manoscritta --; V. La fortuna di Lucillio --; Testo e commento --; Bibliografia --; Tabula comparationis --; Index verborum --; Index locorum --; Index nominum et rerum notabilium
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110336504; 9783110636178; 9783110369618; 9783110369526
• ISSN: 0563-3087
• DOI: 10.1515/9783110336504
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lucia Floridi.

This is the first modern commentary devoted exclusively to the epigrams of Lucillius, a prolific Neronian poet who, in spite of being one of the most significant representatives of the Greek satirical epigram, has primarily been studied not for his own value, but for the influence he had on Martial. About 140 epigrams of his survive, mostly in book XI of the Anthology. The volume contains an extensive introduction, a new critical text and translation, and a full literary and philological commentary. While the body of the commentary focuses on the particular, providing literary readings of individual epigrams and a line-by-line linguistic, philological, and stylistic analysis, the introduction deals with Lucillius’s identity, the tradition of the text, style, themes, metrics, and cultural setting, and additionally investigates the origins and development of Greek skoptic epigram. Particular attention is paid to the way in which Lucillius engages with the conventions of the genre, often overturning the reader’s expectations. In this way, the work explores the paradox inherent to the fact that a poetic form that was by its nature eulogistic (inscriptional epigrams were born in order to record, and thus celebrate, the dedication of an object or the death of a man) ultimately became the genre of mockery and abuse.