Sensibility and the Sublime / / David Weissman.
Philosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new tech...
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Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2013] ©2012 |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
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LEADER | 04240nam a22008655i 4500 | ||
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001 | 9783110320381 | ||
003 | DE-B1597 | ||
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100 | 1 | |a Weissman, David, |e author. | |
245 | 1 | 0 | |a Sensibility and the Sublime / |c David Weissman. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2013] | |
264 | 4 | |c ©2012 | |
300 | |a 1 online resource | ||
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505 | 0 | 0 | |t Frontmatter -- |t Acknowledgments -- |t Table of Contents -- |t Introduction -- |t Chapter One. Sensibility -- |t Chapter Two. Applications -- |t Chapter Three. Irresolution -- |t Chapter Four. Interiority and Selfhood -- |t Index -- |t Backmatter |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Philosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority-the sensibility-that is a condition for judgment in every domain. What is sensibility's role in experiences of every sort, but especially those provoked when art is made and enjoyed? | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) | |
650 | 0 | |a Sensitivity (Personality trait) | |
650 | 0 | |a Sublime, The. | |
650 | 4 | |a Philosophie der Gefühle. | |
650 | 4 | |a Philosophie. | |
650 | 4 | |a Ästhetik. | |
650 | 7 | |a PHILOSOPHY / History & Surveys / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Backlist Complete English Language 2000-2014 PART1 |z 9783110238570 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Backlist Philosophy English Language 2000-2014 |z 9783110238488 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Philosophy 2000 - 2014 |z 9783110636949 |o ZDB-23-GPH |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t eBook Package De Gruyter Ontos 2002-2012 |z 9783110331226 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t eBook Paket De Gruyter Ontos 2002-2012 |z 9783110331219 |o ZDB-23-DON |
776 | 0 | |c print |z 9783110320091 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783110320381 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9783110320381.jpg |
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