Touching and Being Touched : : Kinesthesia and Empathy in Dance and Movement / / ed. by Gabriele Brandstetter, Gerko Egert, Sabine Zubarik.
Touch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the ‘aisthesis’ of the different forms of da...
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Superior document: | Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (323 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- Introduction
- Touching and Being Touched
- I. Touch
- Rühren, Berühren, Aufruhr
- Figure, Plasticity, Affect
- Just Like That
- Movements of Touch in MAYBE FOREVER
- Cold Burn (Teion Yakedo)
- The Fault Lines of Touching
- II. Kinesthesia
- On ‘Inner Touch’ and the Moving Body
- Choreographies With and Without a Choreographer
- “Listening”
- Do You Feel the Same Way Too?
- Empathy, Contagion and Affect
- III. Empathy
- Affective Modulations in Politics, Theory and Art
- Is the Movement of the Filmic Image a Sign of Vitality?
- Feeling In and Out
- “Touch Me If You Can”
- Lost and Found in Interpretation
- Dancing Tango
- Notes on Contributors