Gli Inni di Sinesio di Cirene : : Vicende testuali di un corpus tardoantico / / Idalgo Baldi.

Since Terzaghi’s edition (1939) no new relevant data were found illustrating the textual history of the Synesian poetic corpus from Late Antiquity to the Palaeologan Byzantium. Thanks to a new inspection of the main manuscripts and the enucleation of thematic and structural incoherencies, hitherto u...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Classics and Near East Studies 2000 - 2014
VerfasserIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2011]
©2012
Year of Publication:2011
Language:Italian
Series:Beiträge zur Altertumskunde , 299
Online Access:
Physical Description:1 online resource (187 p.)
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245 1 0 |a Gli Inni di Sinesio di Cirene :  |b Vicende testuali di un corpus tardoantico /  |c Idalgo Baldi. 
264 1 |a Berlin ;  |a Boston :   |b De Gruyter,   |c [2011] 
264 4 |c ©2012 
300 |a 1 online resource (187 p.) 
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490 0 |a Beiträge zur Altertumskunde ,  |x 1616-0452 ;  |v 299 
505 0 0 |t Frontmatter --   |t Premessa --   |t Sommario --   |t Introduzione --   |t Novità dai manoscritti --   |t Preliminari sul corpus innodico sinesiano --   |t Un proemio per gli Inni --   |t L’inno 1 --   |t Gli inni 6, 7 e 8 --   |t Appendice --   |t Conclusioni --   |t Conspectus Codicum --   |t Bibliografia --   |t Indici 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Since Terzaghi’s edition (1939) no new relevant data were found illustrating the textual history of the Synesian poetic corpus from Late Antiquity to the Palaeologan Byzantium. Thanks to a new inspection of the main manuscripts and the enucleation of thematic and structural incoherencies, hitherto unnoticed, it seems possible to restore the structure of the hymnodic corpus as it was before its original pattern was damaged and modified by late Byzantine editors. Specific researches are devoted to: (1) the displacement of the ninth hymn (originally intended to open the hymns series); (2) the beginning of a new hymn with the last verses of the ninth; (3) the merging of two hymns into what is now the first hymn and a new assessment of the last part of the same piece (according to the Neoplatonic theory of the soul); (4) the real purpose and nature of the hymns 6-8 (uncorrectly considered “tout court” as christological), and the original structure of the eighth hymn (to be divided in two different poems). Moreover, the study of ancient and late antique metrical and musical theories reveals hitherto unexpected features about both production and performance of Synesius’ hymns. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In Italian. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) 
650 0 |a Hymns, Greek  |x Criticism, Textual. 
650 4 |a Edition. 
650 4 |a Hymnen. 
650 4 |a Spätantike. 
650 4 |a Synesius. 
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653 |a Edition. 
653 |a Hymns. 
653 |a Late Antiquity. 
653 |a Synesius. 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t E-BOOK PAKET ALTERTUM 2011  |z 9783110261219  |o ZDB-23-DGD 
776 0 |c print  |z 9783110274486 
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