Intermediality and Storytelling / / ed. by Marina Grishakova, Marie-Laure Ryan.

The ‘narrative turn’ in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the ‘medial turn’ in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2010]
©2011
Year of Publication:2010
Language:English
Series:Narratologia : Contributions to Narrative Theory , 24
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Physical Description:1 online resource (353 p.) :; 13 Abb. 4c zusätzlich
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Table of Contents:
  • Frontmatter
  • Contents
  • Editors’ preface
  • Fiction, Cognition, and Non-Verbal Media
  • Narrativity and Segmentivity, or, Poetry in the Gutter
  • Vulgar Metaphysicians: William S. Burroughs, Alan Moore, Art Spiegelman, and the Medium of the Book
  • Previously On: Prime Time Serials and the Mechanics of Memory
  • The Paranoid Style in Narrative: The Anxiety of Storytelling After 9/11
  • Inter-Action Movies: Multi-Protagonist Films and Relationism
  • All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative
  • Photo Narrative, Sequential Photography, Photonovels
  • The Failure of Art: Problems of Verbal and Visual Representation in Let Us Now Praise Famous Men
  • Interactivity and Interaction: Text and Talk in Online Communities
  • Games of Interpretation and a Graphophiliac God of War
  • Advertising the Medium: On the Narrative Worlds of a Multimedia Promotional Campaign for a Public Service Television Channel
  • The Narrative Worlds and Multimodal Figures of House of Leaves: “— find your own words; I have no more”
  • Intermedial Metarepresentations
  • Backmatter