When Machines Play Chopin : : Musical Spirit and Automation in Nineteenth-Century German Literature /

When Machines Play Chopin : : Musical Spirit and Automation in Nineteenth-Century German Literature / / Katherine Hirt.

When Machines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Art and Architecture 2000-2014 (EN)
VerfasserIn:
Hirt, Katherine,
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2010]
©2010
Year of Publication:2010
Language:English
Series:Interdisciplinary German Cultural Studies , 8
Online Access:
Physical Description:1 online resource (170 p.)
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245 1 0 |a When Machines Play Chopin :  |b Musical Spirit and Automation in Nineteenth-Century German Literature /  |c Katherine Hirt. 
264 1 |a Berlin ;  |a Boston :   |b De Gruyter,   |c [2010] 
264 4 |c ©2010 
300 |a 1 online resource (170 p.) 
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490 0 |a Interdisciplinary German Cultural Studies ,  |x 1861-8030 ;  |v 8 
502 |a Dissertation  |c University of Washington  |d 2008. 
505 0 0 |t Frontmatter --   |t Table of Contents --   |t Chapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century --   |t Chapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews --   |t Chapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art --   |t Chapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights” --   |t Chapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound --   |t Backmatter 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a When Machines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. When Machines Play Chopin looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) 
650 0 |a German literature  |y 19th century  |x History and criticism. 
650 0 |a Music and literature  |z Germany  |x History  |y 19th century. 
650 0 |a Music in literature. 
650 0 |a Musical instruments in literature. 
650 4 |a Mechanisches Musikinstrument. 
650 4 |a Musik/i.d. Literatur. 
650 7 |a LITERARY CRITICISM / European / German.  |2 bisacsh 
653 |a Mechanical Musical Instrument. 
653 |a Music/in Literature. 
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