Point of View, Perspective, and Focalization : : Modeling Mediation in Narrative / / ed. by Peter Hühn, Wolf Schmid, Jörg Schönert.
Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspec...
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Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2009] ©2009 |
Year of Publication: | 2009 |
Language: | English |
Series: | Narratologia : Contributions to Narrative Theory ,
17 |
Online Access: | |
Physical Description: | 1 online resource (305 p.) |
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Other title: | Frontmatter -- Contents -- Introduction -- Part I: Re-Specifications of Perspective -- The DNS of Mediacy -- Focalization: Where Do We Go from Here? -- Perspectivization and Focalization: Two Concepts—One Meaning? An Attempt at Conceptual Differentiation -- A Brief Introduction to an Enunciative Approach to Point of View -- Narrative and Stylistic Agency: The Case of Overt Narration -- Beyond Voice and Vision: Cognitive Grammar and Focalization Theory -- Plural Focalization, Singular Voices: Wandering Perspectives in “We”-Narration -- Part II: Some Special Aspects of Mediation -- A Comparative Analysis of Indices of Narrative Point of View in Bulgarian and English -- Focalization, the Subject and the Act of Shaping Perspective -- Coming to Our Senses: Narratology and the Visual -- Part III: Transliterary Aspects of Mediation -- Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater -- Focalization, Ocularization and Auricularization in Film and Literature -- Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self-Reflexive Fiction Films -- Perspective in Contemporary Computer Games -- Backmatter |
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Summary: | Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9783110218916 9783110238570 9783110238464 9783110637854 9783110219517 9783110219524 9783110219548 9783110219470 |
ISSN: | 1612-8427 ; |
DOI: | 10.1515/9783110218916 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | ed. by Peter Hühn, Wolf Schmid, Jörg Schönert. |