Europa! Europa? : : The Avant-Garde, Modernism and the Fate of a Continent / / ed. by Sascha Bru, Jan Baetens, Benedikt Hjartarson, Peter Nicholls, Tania Ørum, Hubert Berg.
The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen...
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2009] ©2009 |
| Year of Publication: | 2009 |
| Language: | English |
| Series: | European Avant-Garde and Modernism Studies ,
1 |
| Online Access: | |
| Physical Description: | 1 online resource (534 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- Borderless Europe, Decentring Avant-Garde, Mosaic Modernism
- Terms and Canons
- “What’s the Difference?” Revisiting the Concepts of Modernism and the Avant-Garde
- The Slovenian Interwar Literary Avant-Garde and Its Canonization
- Toward a Horizontal History of the European Avant-Garde
- The 20th Century: Century of the Arrière-Gardes?
- “The Serpent Eats Its Tail”: Avant-Garde and Arrière-garde in Paris, 1943-1953
- How We Look and Read: The European Avant-Garde’s Imprint on 20th-Century Theory
- Images and Ideas
- Phönix Europa? Krieg und Kultur in Rudolf Pannwitz’ und Hugo von Hofmannsthals europäischer Idee
- Europa minor. Yvan and Claire Goll’s Europe
- La revue Zenit: une avant-garde entre particularisme identitaire et internationalisme
- Europa: une manifestation des avant-gardes européennes
- L’avant-garde bulgare de l’entre-deux-guerres comme exemple de l’«autre Europe»
- History or Europe: Images of Europe and Defense of Aesthetic Innovation in Post-1918 Poland
- Ästhetische Moderne und totalitäres Anti-Europa: der spanische Avantgardist Ernesto Giménez Caballero
- Ezra Pound’s Fascist “Europa”: Toward the Pisan Cantos
- Writing the Foundations of a Better World: The Role of Anglo-German Literary Exchange in the Reconstruction of Germany and the Construction of Europe, 1945-1949
- Avant-Garde or Civil Service? Yves Klein, Werner Ruhnau and “The European Situation”
- Tendencies and Identities
- Discours internationaliste et conscience identitaire des échanges culturels : l’exemple belgo-allemand (Der Sturm, Résurrection)
- Historizing Modern Art: The “Difficult” Names
- The Insignia of Modernity and “le mouvement Apollinaire”
- Okkultismus, Esoterik, Mystik und die Ikonographie des Unsichtbaren in der frühen mitteleuropäischen Avantgarde. Das Beispiel der Posener Gruppe Bunt und des Bauhausprofessors Lothar Schreyer
- Apokalypse als Narrenspiel: Kurt Schwitters und die Mystik
- Messianic Endgames in German-Jewish Expressionist Literature
- “Here I am at home – here I am in a foreign land”. Multilingualism, Modernism and (De)territorialization in the Works of the Finland-Swedish Writer Elmer Diktonius
- Configurations « autographiques » dans Mémoires d’une liseuse de draps de Belen/Nelly Kaplan, ou comment déclencher le fou rire
- Europe and Its Others
- Artificial Africa in the European Avant-Garde: Marinetti and Tzara
- Seeing African Sculpture: Carl Einstein’s “ethnographie du blanc”
- Surrealism for the Ear: Paul Deharme’s Radio-Plays
- Amauta, l’Europe et les avant-gardes
- Carpentier’s Marvellous Real: Modernity and its Discontents in the Tropics
- Europa, Amerika in transition (1927-1938): Literatursprachliche Interkulturalität und Transgressionen des Avantgardesubjekts
- Travels of an Avant-Gardist, West-East-West: On Kawara
- The Colour of Modernism: Colour-Form Experiments in Europe and Australia
- Backmatter