Plaster Casts : : Making, Collecting and Displaying from Classical Antiquity to the Present / / ed. by Rune Frederiksen, Eckart Marchand.
This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of col...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2010] ©2010 |
Year of Publication: | 2010 |
Language: | English |
Series: | Transformationen der Antike ,
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Physical Description: | 1 online resource (752 p.) :; 32 Farbtaf. |
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Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / ed. by Rune Frederiksen, Eckart Marchand. Berlin ; Boston : De Gruyter, [2010] ©2010 1 online resource (752 p.) : 32 Farbtaf. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Transformationen der Antike , 1864-5208 ; 18 Frontmatter -- Table of Contents -- Introduction -- Antiquity -- Plaster Casts in Antiquity -- The Baiae Casts and the Uniqueness of Roman Copies -- The Renaissance -- Plaster and Plaster Casts in Renaissance Italy -- “Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- “Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- Making and Distribution from the Eighteenth to the Twentieth Century -- “Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- Laocoön in Scandinavia – Uses and Workshops 1587 onwards -- How the Smiths Made a Living -- Artists’ Academies -- Plaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- Incorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- Artists’ Workshops -- Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- Modern Sculpture in the Making: Antonio Canova and plaster casts -- Chantrey and the Original Models -- Live Body Moulding and Maternal Devotion in Marcello’s Studio -- Shattering the Mould: Medardo Rosso and the poetics of plaster -- “Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- Outside In: the after-life of the plaster cast in contemporary culture -- Inside Out: a process for production -- Conservation -- The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- The Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- Architectural Models and Collections after Gems -- Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- Casting Nations: The National Museum -- “The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- Cast Collecting in the United States -- Colonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- Display and the Future of Plaster Casts -- Sir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- The Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- Living with Plaster Casts -- Le jardin des plâtres: un autre regard sur les collections de moulages -- Backmatter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Antiquities Collection and preservation Congresses. Archaeology Methodology Congresses. Art, Ancient Conservation and restoration Congresses. Cultural property Protection Congresses. Plaster casts Congresses. Sculpture, Ancient Conservation and restoration Congresses. Gipsabguss. Griechenland ‹Altertum›. Moulage. Plastik. Römisches Reich. Skulptur. ART / Sculpture & Installation. bisacsh Plaster cast. Sculpture. Arnold, Daniela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Arnold, Torsten, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baker, Malcolm, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Biddle, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bilbey, Diane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burg, Tobias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cooke, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Corpataux, Jean-François, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cupperi, Walter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dorey, Helen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Doulgeridis, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dyson, Stephen L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Frederiksen, Rune, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Frederiksen, Rune, editor. edt http://id.loc.gov/vocabulary/relators/edt Fuentes Rojas, Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gampp, Axel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gasca Miramón, Judit, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Graepler, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hecker, Sharon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kliafa, Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kockel, Valentin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Landwehr, Christa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lock, Léon E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Luzón Nogué, José María, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Macsotay, Tomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Malone, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Malvern, Sue, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marchand, Eckart, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marchand, Eckart, editor. edt http://id.loc.gov/vocabulary/relators/edt McAdam Freud, Jane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Menegazzi, Alessandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Myssok, Johannes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Perkins, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rüber-Schütte, Elisabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schreiter, Charlotte, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sedlarz, Claudia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Seidmann, Gertrud, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Solís Parra, Ángeles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stehliková, Dana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sullivan, Matthew Greg, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sánchez, Silvia Viana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Trusted, Marjorie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Versari, Maria Elena, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wagner, Claudia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zahle, Jan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb van den Driessche, Bernard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 9783110635690 ZDB-23-GAA Title is part of eBook package: De Gruyter DGBA Backlist Art and Architecture 2000-2014 (EN) 9783110621129 Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570 Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2010 9783110233544 ZDB-23-DGG Title is part of eBook package: De Gruyter E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2010 9783110233551 Title is part of eBook package: De Gruyter E-BOOK PAKET ALTERTUM 2010 9783110233575 ZDB-23-DGD print 9783110208566 https://doi.org/10.1515/9783110216875 https://www.degruyter.com/isbn/9783110216875 Cover https://www.degruyter.com/document/cover/isbn/9783110216875/original |
language |
English |
format |
eBook |
author2 |
Arnold, Daniela, Arnold, Daniela, Arnold, Torsten, Arnold, Torsten, Baker, Malcolm, Baker, Malcolm, Biddle, Martin, Biddle, Martin, Bilbey, Diane, Bilbey, Diane, Burg, Tobias, Burg, Tobias, Cooke, Ian, Cooke, Ian, Corpataux, Jean-François, Corpataux, Jean-François, Cupperi, Walter, Cupperi, Walter, Dorey, Helen, Dorey, Helen, Doulgeridis, Michael, Doulgeridis, Michael, Dyson, Stephen L., Dyson, Stephen L., Frederiksen, Rune, Frederiksen, Rune, Frederiksen, Rune, Frederiksen, Rune, Fuentes Rojas, Elizabeth, Fuentes Rojas, Elizabeth, Gampp, Axel, Gampp, Axel, Gasca Miramón, Judit, Gasca Miramón, Judit, Graepler, Daniel, Graepler, Daniel, Hecker, Sharon, Hecker, Sharon, Kliafa, Maria, Kliafa, Maria, Kockel, Valentin, Kockel, Valentin, Landwehr, Christa, Landwehr, Christa, Lock, Léon E., Lock, Léon E., Luzón Nogué, José María, Luzón Nogué, José María, Macsotay, Tomas, Macsotay, Tomas, Malone, Peter, Malone, Peter, Malvern, Sue, Malvern, Sue, Marchand, Eckart, Marchand, Eckart, Marchand, Eckart, Marchand, Eckart, McAdam Freud, Jane, McAdam Freud, Jane, Menegazzi, Alessandra, Menegazzi, Alessandra, Myssok, Johannes, Myssok, Johannes, Perkins, James, Perkins, James, Rüber-Schütte, Elisabeth, Rüber-Schütte, Elisabeth, Schreiter, Charlotte, Schreiter, Charlotte, Sedlarz, Claudia, Sedlarz, Claudia, Seidmann, Gertrud, Seidmann, Gertrud, Solís Parra, Ángeles, Solís Parra, Ángeles, Stehliková, Dana, Stehliková, Dana, Sullivan, Matthew Greg, Sullivan, Matthew Greg, Sánchez, Silvia Viana, Sánchez, Silvia Viana, Trusted, Marjorie, Trusted, Marjorie, Versari, Maria Elena, Versari, Maria Elena, Wagner, Claudia, Wagner, Claudia, Zahle, Jan, Zahle, Jan, van den Driessche, Bernard, van den Driessche, Bernard, |
author_facet |
Arnold, Daniela, Arnold, Daniela, Arnold, Torsten, Arnold, Torsten, Baker, Malcolm, Baker, Malcolm, Biddle, Martin, Biddle, Martin, Bilbey, Diane, Bilbey, Diane, Burg, Tobias, Burg, Tobias, Cooke, Ian, Cooke, Ian, Corpataux, Jean-François, Corpataux, Jean-François, Cupperi, Walter, Cupperi, Walter, Dorey, Helen, Dorey, Helen, Doulgeridis, Michael, Doulgeridis, Michael, Dyson, Stephen L., Dyson, Stephen L., Frederiksen, Rune, Frederiksen, Rune, Frederiksen, Rune, Frederiksen, Rune, Fuentes Rojas, Elizabeth, Fuentes Rojas, Elizabeth, Gampp, Axel, Gampp, Axel, Gasca Miramón, Judit, Gasca Miramón, Judit, Graepler, Daniel, Graepler, Daniel, Hecker, Sharon, Hecker, Sharon, Kliafa, Maria, Kliafa, Maria, Kockel, Valentin, Kockel, Valentin, Landwehr, Christa, Landwehr, Christa, Lock, Léon E., Lock, Léon E., Luzón Nogué, José María, Luzón Nogué, José María, Macsotay, Tomas, Macsotay, Tomas, Malone, Peter, Malone, Peter, Malvern, Sue, Malvern, Sue, Marchand, Eckart, Marchand, Eckart, Marchand, Eckart, Marchand, Eckart, McAdam Freud, Jane, McAdam Freud, Jane, Menegazzi, Alessandra, Menegazzi, Alessandra, Myssok, Johannes, Myssok, Johannes, Perkins, James, Perkins, James, Rüber-Schütte, Elisabeth, Rüber-Schütte, Elisabeth, Schreiter, Charlotte, Schreiter, Charlotte, Sedlarz, Claudia, Sedlarz, Claudia, Seidmann, Gertrud, Seidmann, Gertrud, Solís Parra, Ángeles, Solís Parra, Ángeles, Stehliková, Dana, Stehliková, Dana, Sullivan, Matthew Greg, Sullivan, Matthew Greg, Sánchez, Silvia Viana, Sánchez, Silvia Viana, Trusted, Marjorie, Trusted, Marjorie, Versari, Maria Elena, Versari, Maria Elena, Wagner, Claudia, Wagner, Claudia, Zahle, Jan, Zahle, Jan, van den Driessche, Bernard, van den Driessche, Bernard, |
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author_sort |
Arnold, Daniela, |
title |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / |
spellingShingle |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / Transformationen der Antike , Frontmatter -- Table of Contents -- Introduction -- Antiquity -- Plaster Casts in Antiquity -- The Baiae Casts and the Uniqueness of Roman Copies -- The Renaissance -- Plaster and Plaster Casts in Renaissance Italy -- “Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- “Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- Making and Distribution from the Eighteenth to the Twentieth Century -- “Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- Laocoön in Scandinavia – Uses and Workshops 1587 onwards -- How the Smiths Made a Living -- Artists’ Academies -- Plaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- Incorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- Artists’ Workshops -- Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- Modern Sculpture in the Making: Antonio Canova and plaster casts -- Chantrey and the Original Models -- Live Body Moulding and Maternal Devotion in Marcello’s Studio -- Shattering the Mould: Medardo Rosso and the poetics of plaster -- “Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- Outside In: the after-life of the plaster cast in contemporary culture -- Inside Out: a process for production -- Conservation -- The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- The Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- Architectural Models and Collections after Gems -- Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- Casting Nations: The National Museum -- “The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- Cast Collecting in the United States -- Colonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- Display and the Future of Plaster Casts -- Sir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- The Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- Living with Plaster Casts -- Le jardin des plâtres: un autre regard sur les collections de moulages -- Backmatter |
title_sub |
Making, Collecting and Displaying from Classical Antiquity to the Present / |
title_full |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / ed. by Rune Frederiksen, Eckart Marchand. |
title_fullStr |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / ed. by Rune Frederiksen, Eckart Marchand. |
title_full_unstemmed |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / ed. by Rune Frederiksen, Eckart Marchand. |
title_auth |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / |
title_alt |
Frontmatter -- Table of Contents -- Introduction -- Antiquity -- Plaster Casts in Antiquity -- The Baiae Casts and the Uniqueness of Roman Copies -- The Renaissance -- Plaster and Plaster Casts in Renaissance Italy -- “Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- “Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- Making and Distribution from the Eighteenth to the Twentieth Century -- “Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- Laocoön in Scandinavia – Uses and Workshops 1587 onwards -- How the Smiths Made a Living -- Artists’ Academies -- Plaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- Incorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- Artists’ Workshops -- Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- Modern Sculpture in the Making: Antonio Canova and plaster casts -- Chantrey and the Original Models -- Live Body Moulding and Maternal Devotion in Marcello’s Studio -- Shattering the Mould: Medardo Rosso and the poetics of plaster -- “Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- Outside In: the after-life of the plaster cast in contemporary culture -- Inside Out: a process for production -- Conservation -- The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- The Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- Architectural Models and Collections after Gems -- Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- Casting Nations: The National Museum -- “The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- Cast Collecting in the United States -- Colonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- Display and the Future of Plaster Casts -- Sir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- The Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- Living with Plaster Casts -- Le jardin des plâtres: un autre regard sur les collections de moulages -- Backmatter |
title_new |
Plaster Casts : |
title_sort |
plaster casts : making, collecting and displaying from classical antiquity to the present / |
series |
Transformationen der Antike , |
series2 |
Transformationen der Antike , |
publisher |
De Gruyter, |
publishDate |
2010 |
physical |
1 online resource (752 p.) : 32 Farbtaf. Issued also in print. |
contents |
Frontmatter -- Table of Contents -- Introduction -- Antiquity -- Plaster Casts in Antiquity -- The Baiae Casts and the Uniqueness of Roman Copies -- The Renaissance -- Plaster and Plaster Casts in Renaissance Italy -- “Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- “Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- Making and Distribution from the Eighteenth to the Twentieth Century -- “Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- Laocoön in Scandinavia – Uses and Workshops 1587 onwards -- How the Smiths Made a Living -- Artists’ Academies -- Plaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- Incorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- Artists’ Workshops -- Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- Modern Sculpture in the Making: Antonio Canova and plaster casts -- Chantrey and the Original Models -- Live Body Moulding and Maternal Devotion in Marcello’s Studio -- Shattering the Mould: Medardo Rosso and the poetics of plaster -- “Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- Outside In: the after-life of the plaster cast in contemporary culture -- Inside Out: a process for production -- Conservation -- The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- The Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- Architectural Models and Collections after Gems -- Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- Casting Nations: The National Museum -- “The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- Cast Collecting in the United States -- Colonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- Display and the Future of Plaster Casts -- Sir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- The Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- Living with Plaster Casts -- Le jardin des plâtres: un autre regard sur les collections de moulages -- Backmatter |
isbn |
9783110216875 9783110635690 9783110621129 9783110238570 9783110233544 9783110233551 9783110233575 9783110208566 |
issn |
1864-5208 ; |
callnumber-first |
C - Historical Sciences |
callnumber-subject |
CC - Archaeology |
callnumber-label |
CC135 |
callnumber-sort |
CC 3135 P595 42010 |
genre_facet |
Congresses. |
url |
https://doi.org/10.1515/9783110216875 https://www.degruyter.com/isbn/9783110216875 https://www.degruyter.com/document/cover/isbn/9783110216875/original |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
360 - Social problems & social services |
dewey-ones |
363 - Other social problems & services |
dewey-full |
363.6/9 |
dewey-sort |
3363.6 19 |
dewey-raw |
363.6/9 |
dewey-search |
363.6/9 |
doi_str_mv |
10.1515/9783110216875 |
oclc_num |
667251927 |
work_keys_str_mv |
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hierarchy_parent_title |
Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 Title is part of eBook package: De Gruyter DGBA Backlist Art and Architecture 2000-2014 (EN) Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2010 Title is part of eBook package: De Gruyter E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2010 Title is part of eBook package: De Gruyter E-BOOK PAKET ALTERTUM 2010 |
is_hierarchy_title |
Plaster Casts : Making, Collecting and Displaying from Classical Antiquity to the Present / |
container_title |
Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 |
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"><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Transformationen der Antike ,</subfield><subfield code="x">1864-5208 ;</subfield><subfield code="v">18</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Table of Contents -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Antiquity -- </subfield><subfield code="t">Plaster Casts in Antiquity -- </subfield><subfield code="t">The Baiae Casts and the Uniqueness of Roman Copies -- </subfield><subfield code="t">The Renaissance -- </subfield><subfield code="t">Plaster and Plaster Casts in Renaissance Italy -- </subfield><subfield code="t">“Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- </subfield><subfield code="t">“Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- </subfield><subfield code="t">Making and Distribution from the Eighteenth to the Twentieth Century -- </subfield><subfield code="t">“Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- </subfield><subfield code="t">Laocoön in Scandinavia – Uses and Workshops 1587 onwards -- </subfield><subfield code="t">How the Smiths Made a Living -- </subfield><subfield code="t">Artists’ Academies -- </subfield><subfield code="t">Plaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- </subfield><subfield code="t">Incorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- </subfield><subfield code="t">Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- </subfield><subfield code="t">Artists’ Workshops -- </subfield><subfield code="t">Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- </subfield><subfield code="t">Modern Sculpture in the Making: Antonio Canova and plaster casts -- </subfield><subfield code="t">Chantrey and the Original Models -- </subfield><subfield code="t">Live Body Moulding and Maternal Devotion in Marcello’s Studio -- </subfield><subfield code="t">Shattering the Mould: Medardo Rosso and the poetics of plaster -- </subfield><subfield code="t">“Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- </subfield><subfield code="t">Outside In: the after-life of the plaster cast in contemporary culture -- </subfield><subfield code="t">Inside Out: a process for production -- </subfield><subfield code="t">Conservation -- </subfield><subfield code="t">The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- </subfield><subfield code="t">The Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- </subfield><subfield code="t">The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- </subfield><subfield code="t">Architectural Models and Collections after Gems -- </subfield><subfield code="t">Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- </subfield><subfield code="t">A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- </subfield><subfield code="t">A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- </subfield><subfield code="t">Casting Nations: The National Museum -- </subfield><subfield code="t">“The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- </subfield><subfield code="t">The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- </subfield><subfield code="t">Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- </subfield><subfield code="t">More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- </subfield><subfield code="t">Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- </subfield><subfield code="t">Cast Collecting in the United States -- </subfield><subfield code="t">Colonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- </subfield><subfield code="t">Display and the Future of Plaster Casts -- </subfield><subfield code="t">Sir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- </subfield><subfield code="t">The Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- </subfield><subfield code="t">Living with Plaster Casts -- </subfield><subfield code="t">Le jardin des plâtres: un autre regard sur les collections de moulages -- </subfield><subfield code="t">Backmatter</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Antiquities</subfield><subfield code="x">Collection and preservation</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Archaeology</subfield><subfield code="x">Methodology</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Ancient</subfield><subfield code="x">Conservation and restoration</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cultural property</subfield><subfield code="x">Protection</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Plaster casts</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sculpture, Ancient</subfield><subfield code="x">Conservation and restoration</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gipsabguss.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Griechenland ‹Altertum›.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Moulage.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Plastik.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Römisches Reich.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Skulptur.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Sculpture & Installation.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Moulage.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Plaster cast.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sculpture.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Arnold, Daniela, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Arnold, Torsten, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Malcolm, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Biddle, Martin, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bilbey, Diane, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burg, Tobias, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cooke, Ian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Corpataux, Jean-François, </subfield><subfield code="e">contributor.</subfield><subfield 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