On Coming After : : Studies in Post-Classical Greek Literature and its Reception /

On Coming After : : Studies in Post-Classical Greek Literature and its Reception / / Richard Hunter.

This book gathers together many of the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter’s work lies the high poetry of Ptolemaic Alexandria (Callimachus,...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Classics and Near East Studies 2000-2014 (EN)
VerfasserIn:
Hunter, Richard,
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2009]
©2008
Year of Publication:2009
Language:English
Series:Trends in Classics - Supplementary Volumes , 3
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Physical Description:1 online resource (907 p.)
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Table of Contents:
  • On Coming After - Part 1
  • Frontmatter
  • Contents
  • Preface
  • Introduction
  • On Coming After
  • Hellenistic Poetry and its Reception
  • 1. Apollo and the Argonauts:Two notes on Ap. Rhod. 2, 669 –719
  • 2. Medea’s flight: the fourth Book of the Argonautica
  • 3. ‘Short on heroics’: Jason in the Argonautica
  • 4. Winged Callimachus
  • 5. Bulls and Boxers in Apollonius and Vergil
  • 6. Greek and Non-Greek in the Argonautica of Apollonius
  • 7. Callimachus and Heraclitus
  • 8. Writing the God: Form and Meaning in Callimachus, Hymn to Athena
  • 9. Written in the Stars: Poetry and Philosophy in the Phainomena of Aratus
  • 10. The Presentation of Herodas’ Mimiamboi
  • 11. Callimachean Echoes in Catullus 65
  • 12. Plautus and Herodas
  • 13. Bion and Theocritus: a note on Lament for Adonisv. 55
  • 14. Mime and mimesis: Theocritus, Idyll 15
  • 15. The Divine and Human Map of the Argonautica
  • 16. Callimachus swings (frr. 178 and 43 Pf.)
  • 17. Before and after epic: Theocritus (?), Idyll 25
  • 18. (B)ionic man: Callimachus’ iambic programme
  • 19. The Poet Unleaved. Simonides and Callimachus
  • 20. The Poetics of Narrative in the Argonautica
  • 21. Virgil and Theocritus: A Note on the Reception of the Encomium to Ptolemy Philadelphus
  • 22. The Sense of an Author: Theocritus and [Theocritus]
  • 23. Imaginary Gods? Poetic theology in the Hymns of Callimachus
  • 24. Theocritus and the Style of Cultural Change
  • 25. Notes on the Lithika of Poseidippos
  • 26. The Hesiodic Catalogue and Hellenistic Poetry
  • 27. The prologue of the Periodos to Nicomedes (‘Pseudo-Scymnus’)
  • 28. Sweet nothings – Callimachus fr. 1.9 –12 revisited
  • 29. The Reputation of Callimachus
  • 30. Hesiod, Callimachus, and the invention of morality
  • On Coming After - Part 2
  • Frontmatter
  • Contents
  • Comedy and Performance
  • 31. The Comic Chorus in the fourth century
  • 32. Philemon, Plautus and the Trinummus
  • 33. The Aulularia of Plautus and its Greek original
  • 34. Middle Comedy and the Amphitruo of Plautus
  • 35. ‘Acting down’: the ideology of Hellenistic performance
  • 36. Showing and telling: notes from the boundary
  • Greek Poetry of the Roman Empire
  • 37. Generic consciousness in the Orphic Argonautica?
  • 38. Aspects of technique and style in the Periegesis of Dionysius
  • 39. The Periegesis of Dionysius and the traditions of Hellenistic poetry
  • The Ancient Novel
  • 40. History and Historicity in the Romance of Chariton
  • 41. Longus and Plato
  • 42. Growing up in the ancient novels: a response
  • 43. The Aithiopika of Heliodorus: beyond interpretation?
  • 44. ‘Philip the Philosopher’ on the Aithiopika of Heliodorus
  • 45. Plato’s Symposium and the traditions of ancient fiction
  • 46. Isis and the Language of Aesop
  • 47. The curious incident …: polypragmosyne and the ancient novel
  • Backmatter

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