Borrowed Sceneries : : The Influence of Japanese Garden Art on Swiss Landscape Architecture / / Rahel Hartmann Schweizer.
Der Garten als Inspiration Der Garten verkörpert verdichtete Natur, so wie sich nach japanischem Verständnis in einem Tautropfen die Welt widerspiegelt. Diese Vorstellung kann als Impuls für die Imitationen japanischer Gärten in der Schweiz im 20. Jahrhundert gesehen werden, als Anstoß für die Einbi...
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Place / Publishing House: | Basel : : Birkhäuser, , [2024] ©2024 |
Year of Publication: | 2024 |
Language: | English |
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Physical Description: | 1 online resource (320 p.) |
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Hartmann Schweizer, Rahel, author. aut http://id.loc.gov/vocabulary/relators/aut Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / Rahel Hartmann Schweizer. Basel : Birkhäuser, [2024] ©2024 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Japan as prima materia -- From the plenty of paradisiacal islands to the beauty of emptiness -- From Zukai teien zōhō to Sakuteiki Projection, feedback, cross-pollination -- Inspiration, imitation, integration Japanese garden design as a catalyst -- From Ammann to Zürcher -- Introduction -- Gustav Ammann. Japan as a module -- Albert Baumann. Japan as a motif -- Ernst Baumann. Japan mirrored -- Ernst Cramer. Japanese tempered -- Hans Graf. Japan as a source -- Fritz und Fredy Klauser. Japan as an ingredient -- Walter Leder. Japan at heart -- Evariste Mertens / Walter and Oskar Mertens / Hans Nussbaumer. Japanese masked -- Willi Neukom. Japan as a basso continuo -- Adolf Zürcher. Japanese reinterpreted -- Lists of works -- Plant catalogues -- Bibliography -- Subject index -- Biography and Acknowledgements restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Der Garten als Inspiration Der Garten verkörpert verdichtete Natur, so wie sich nach japanischem Verständnis in einem Tautropfen die Welt widerspiegelt. Diese Vorstellung kann als Impuls für die Imitationen japanischer Gärten in der Schweiz im 20. Jahrhundert gesehen werden, als Anstoß für die Einbindung japanischer Elemente und als Stoffumwandler vom Alpinum zur Trockenlandschaft. Die Autorin illustriert erstmals anhand von zehn Schweizer Landschaftsarchitekturbüros wie diese sich von miniaturisierten Gärten (Bonsai) inspirieren ließen, sich Szenerien (Shakkei) liehen, dem Reiz des Unvollkommenen (Wabi-sabi) erlagen und den Geist von Zen einfingen. Sie beleuchtet Parallelen zur Anverwandlung chinesischer Einflüsse in Japan und verortet das Phänomen in der Rezeption Nippons im Westen. Hochattraktives und viel bisher unveröffentlichtes Bildmaterial Fundiert recherchiertes Material verständlich und ansprechend aufbereitet Japan-Begeisterung in der Schweizer Landschaftsarchitektur Mit einem Fotoessay von Martin Linsi The garden as inspiration The garden embodies a condensed version of nature, just as, in Japanese philosophy, the entire world is thought to be reflected in a single dewdrop. This notion may be the inspiration for the Swiss imitation of Japanese gardens in the 20th century, the impetus for the incorporation of Japanese design elements more generally, and the conversion principle from alpine landscapes to Japanese stone gardens. Taking ten Swiss landscape architecture studios as examples, the author illustrates how they drew inspiration from miniaturized gardens (bonsai), borrowed scenery (shakkei), succumbed to the allure of the imperfect (wabi-sabi), and captured the spirit of Zen Buddhism. This book reveals parallels to the assimilation of Chinese influences in Japan and situates the phenomenon within the general reception of Japan in the West. Attractive and previously unpublished visual materials Well-researched content presented in a clear and appealing manner Japanophilia in Swiss landscape architecture with a photoessay by Martin Linsi Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jul 2024) Gartenkunst. Japan. Japonismus. Landschaftsarchitektur. Rezeption. Schweiz. garden. japonisme. landscape architecture. reception. switzerland. print 9783035626476 https://doi.org/10.1515/9783035626483 https://www.degruyter.com/isbn/9783035626483 Cover https://www.degruyter.com/document/cover/isbn/9783035626483/original |
language |
English |
format |
eBook |
author |
Hartmann Schweizer, Rahel, Hartmann Schweizer, Rahel, |
spellingShingle |
Hartmann Schweizer, Rahel, Hartmann Schweizer, Rahel, Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / Frontmatter -- Contents -- Japan as prima materia -- From the plenty of paradisiacal islands to the beauty of emptiness -- From Zukai teien zōhō to Sakuteiki Projection, feedback, cross-pollination -- Inspiration, imitation, integration Japanese garden design as a catalyst -- From Ammann to Zürcher -- Introduction -- Gustav Ammann. Japan as a module -- Albert Baumann. Japan as a motif -- Ernst Baumann. Japan mirrored -- Ernst Cramer. Japanese tempered -- Hans Graf. Japan as a source -- Fritz und Fredy Klauser. Japan as an ingredient -- Walter Leder. Japan at heart -- Evariste Mertens / Walter and Oskar Mertens / Hans Nussbaumer. Japanese masked -- Willi Neukom. Japan as a basso continuo -- Adolf Zürcher. Japanese reinterpreted -- Lists of works -- Plant catalogues -- Bibliography -- Subject index -- Biography and Acknowledgements |
author_facet |
Hartmann Schweizer, Rahel, Hartmann Schweizer, Rahel, |
author_variant |
s r h sr srh s r h sr srh |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Hartmann Schweizer, Rahel, |
title |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / |
title_sub |
The Influence of Japanese Garden Art on Swiss Landscape Architecture / |
title_full |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / Rahel Hartmann Schweizer. |
title_fullStr |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / Rahel Hartmann Schweizer. |
title_full_unstemmed |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / Rahel Hartmann Schweizer. |
title_auth |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / |
title_alt |
Frontmatter -- Contents -- Japan as prima materia -- From the plenty of paradisiacal islands to the beauty of emptiness -- From Zukai teien zōhō to Sakuteiki Projection, feedback, cross-pollination -- Inspiration, imitation, integration Japanese garden design as a catalyst -- From Ammann to Zürcher -- Introduction -- Gustav Ammann. Japan as a module -- Albert Baumann. Japan as a motif -- Ernst Baumann. Japan mirrored -- Ernst Cramer. Japanese tempered -- Hans Graf. Japan as a source -- Fritz und Fredy Klauser. Japan as an ingredient -- Walter Leder. Japan at heart -- Evariste Mertens / Walter and Oskar Mertens / Hans Nussbaumer. Japanese masked -- Willi Neukom. Japan as a basso continuo -- Adolf Zürcher. Japanese reinterpreted -- Lists of works -- Plant catalogues -- Bibliography -- Subject index -- Biography and Acknowledgements |
title_new |
Borrowed Sceneries : |
title_sort |
borrowed sceneries : the influence of japanese garden art on swiss landscape architecture / |
publisher |
Birkhäuser, |
publishDate |
2024 |
physical |
1 online resource (320 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Japan as prima materia -- From the plenty of paradisiacal islands to the beauty of emptiness -- From Zukai teien zōhō to Sakuteiki Projection, feedback, cross-pollination -- Inspiration, imitation, integration Japanese garden design as a catalyst -- From Ammann to Zürcher -- Introduction -- Gustav Ammann. Japan as a module -- Albert Baumann. Japan as a motif -- Ernst Baumann. Japan mirrored -- Ernst Cramer. Japanese tempered -- Hans Graf. Japan as a source -- Fritz und Fredy Klauser. Japan as an ingredient -- Walter Leder. Japan at heart -- Evariste Mertens / Walter and Oskar Mertens / Hans Nussbaumer. Japanese masked -- Willi Neukom. Japan as a basso continuo -- Adolf Zürcher. Japanese reinterpreted -- Lists of works -- Plant catalogues -- Bibliography -- Subject index -- Biography and Acknowledgements |
isbn |
9783035626483 9783035626476 |
url |
https://doi.org/10.1515/9783035626483 https://www.degruyter.com/isbn/9783035626483 https://www.degruyter.com/document/cover/isbn/9783035626483/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9783035626483 |
oclc_num |
1432029249 |
work_keys_str_mv |
AT hartmannschweizerrahel borrowedsceneriestheinfluenceofjapanesegardenartonswisslandscapearchitecture |
status_str |
n |
ids_txt_mv |
(DE-B1597)626807 (OCoLC)1432029249 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Borrowed Sceneries : The Influence of Japanese Garden Art on Swiss Landscape Architecture / |
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1806144172635193344 |
fullrecord |
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Hochattraktives und viel bisher unveröffentlichtes Bildmaterial Fundiert recherchiertes Material verständlich und ansprechend aufbereitet Japan-Begeisterung in der Schweizer Landschaftsarchitektur Mit einem Fotoessay von Martin Linsi</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The garden as inspiration The garden embodies a condensed version of nature, just as, in Japanese philosophy, the entire world is thought to be reflected in a single dewdrop. This notion may be the inspiration for the Swiss imitation of Japanese gardens in the 20th century, the impetus for the incorporation of Japanese design elements more generally, and the conversion principle from alpine landscapes to Japanese stone gardens. 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