Adrian Frutiger – Typefaces : : Complete Works / / Heidrun Osterer, Philipp Stamm; ed. by Museum für Gestaltung Zürich.
Adrian Frutiger hat das internationale Schriftschaffen seit 1950 maßgeblich geprägt. Sein Schriftprogramm Univers und die maschinenlesbare Schrift OCR-B sind Meilensteine der Typografie wie auch die Frutiger, die er ursprünglich für die Pariser Flughäfen entworfen hatte und mit der er einen Qualität...
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Superior document: | Title is part of eBook package: De Gruyter DG Ebook Package English 2021 |
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Place / Publishing House: | Basel : : Birkhäuser, , [2021] ©2021 |
Year of Publication: | 2021 |
Edition: | 3nd ed. |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (468 p.) |
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100 | 1 | |a Osterer, Heidrun, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Adrian Frutiger – Typefaces : |b Complete Works / |c Heidrun Osterer, Philipp Stamm; ed. by Museum für Gestaltung Zürich. |
250 | |a 3nd ed. | ||
264 | 1 | |a Basel : |b Birkhäuser, |c [2021] | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (468 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Content -- |t Adrian Frutiger – The standard-setter -- |t A typeface is a tool -- |t Introduction. How we made this book -- |t Introduction. How to use this book -- |t Career path Adrian Frutiger’s teachers and mentors -- |t Production of type. Handsetting -- |t Delta -- |t Phoebus -- |t Element-Grotesk -- |t Federduktus -- |t Ondine -- |t Méridien -- |t Caractères Lumitype -- |t Univers -- |t Egyptienne F -- |t Opéra -- |t Alphabet Orly -- |t Apollo -- |t Alphabet Entreprise Francis Bouygues -- |t Concorde -- |t Serifen-Grotesk / Gespannte Grotesk -- |t Alphabet Algol -- |t Serifa -- |t OCR-B -- |t Univers IBM Composer -- |t Alphabet EDF- GDF -- |t Katalog -- |t Devanagari / Tamil -- |t Alpha BP -- |t Documenta -- |t Alphabet Facom -- |t Alphabet Roissy -- |t Alphabet Brancher -- |t Iridium -- |t Alphabet Métro -- |t Alphabet Centre Georges Pompidou -- |t Frutiger -- |t Glypha -- |t Icone -- |t Breughel -- |t Dolmen -- |t Tiemann -- |t Versailles -- |t Linotype Centennial -- |t Avenir -- |t Westside -- |t Vectora -- |t Linotype Didot -- |t Herculanum -- |t Shiseido -- |t Frutiger Capitalis -- |t Pompeijana -- |t Rusticana -- |t Frutiger Stones / Frutiger Symbols -- |t Frutiger Neonscript -- |t Nami -- |t Synopsis of Frutiger-Typefaces -- |t Notes -- |t Lists |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Adrian Frutiger hat das internationale Schriftschaffen seit 1950 maßgeblich geprägt. Sein Schriftprogramm Univers und die maschinenlesbare Schrift OCR-B sind Meilensteine der Typografie wie auch die Frutiger, die er ursprünglich für die Pariser Flughäfen entworfen hatte und mit der er einen Qualitätsstandard für Signalisationsschriften schuf. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger und auf umfangreichen Recherchen basierend, dokumentiert die Publikation den gestalterischen Werdegang des Schriftkünstlers. Erstmals werden alle Schriften – vom Entwurf bis zur Vermarktung – abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. | ||
520 | |a The Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine-readable font OCR-B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research, this publication provides a highly detailed and accurate account of the type designer’s artistic development. All of his types – from the design phase to the marketing stage – are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a Printing |x History |y 20th century. | |
650 | 0 | |a Type and type-founding |x History |y 20th century. | |
650 | 4 | |a Frutiger, Adrian. | |
650 | 4 | |a typography. | |
650 | 7 | |a ARCHITECTURE / Design, Drafting, Drawing & Presentation. |2 bisacsh | |
700 | 1 | |a Frutiger, Adrian, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Museum für Gestaltung Zürich, , |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Stamm, Philipp, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
700 | 1 | |a Weidemann, Kurt, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
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