Branding Black Womanhood : : Media Citizenship from Black Power to Black Girl Magic / / Timeka N. Tounsel.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
• VerfasserIn: Tounsel, Timeka N.,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (174 p.) :; 12 b&w images
• Other title: Frontmatter --; Contents --; Prologue --; Introduction: Black Women and the Twenty-First Century Image Economy --; 1 the Black Woman That Essence Built --; 2 Self-Branding Black Womanhood: The Magic of Susan L. Taylor --; 3 Marketing Dignity: The Commercial Grammar of Black Female Empowerment --; 4 Beyond Magic: Black Women Content Creators and Productive Vulnerability --; Epilogue --; Acknowledgments --; Notes --; Selected Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781978829930; 9783110993899; 9783110994810; 9783110993752; 9783110993738; 9783110766479
• DOI: 10.36019/9781978829930?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Timeka N. Tounsel.

CaShawn Thompson crafted Black Girls Are Magic as a proclamation of Black women’s resilience in 2013. Less than five years later, it had been repurposed as a gateway to an attractive niche market. Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines the commercial infrastructure that absorbed Thompson’s mantra. While the terminology may have changed over the years, mainstream brands and mass media companies have consistently sought to acknowledge Black women’s possession of a distinct magic or power when it suits their profit agendas. Beginning with the inception of the Essence brand in the late 1960s, Timeka N. Tounsel examines the individuals and institutions that have reconfigured Black women’s empowerment as a business enterprise. Ultimately, these commercial gatekeepers have constructed an image economy that operates as both a sacred space for Black women and an easy hunting ground for their dollars.