Contradictory Indianness : : Indenture, Creolization, and Literary Imaginary / / Atreyee Phukan.
As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas,...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
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| Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2022] ©2022 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Critical Caribbean Studies
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| Online Access: | |
| Physical Description: | 1 online resource (256 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- 1 Indenture Passage and Poetics in Totaram Sanadhya and LalBihari Sharma
- 2 Repatriation and the “Indian Problem” in Ismith Khan’s The Jumbie Bird (1960)
- 3 The Trope of the Rice Field in Harold Sonny Ladoo’s No Pain Like This Body (1972)
- 4 (En)Gendering Indenture in Shani Mootoo’s Cereus Blooms at Night (1992)
- Conclusion
- Acknowledgments
- Notes
- Bibliography
- Index
- About the Author