Caribes 2.0 : : New Media, Globalization, and the Afterlives of Disaster / / Jossianna Arroyo.

In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Car...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Global Media and Race
Online Access:
Physical Description:1 online resource (182 p.) :; 33 color and 2 B-W images
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245 1 0 |a Caribes 2.0 :  |b New Media, Globalization, and the Afterlives of Disaster /  |c Jossianna Arroyo. 
264 1 |a New Brunswick, NJ :   |b Rutgers University Press,   |c [2023] 
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300 |a 1 online resource (182 p.) :  |b 33 color and 2 B-W images 
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490 0 |a Global Media and Race 
505 0 0 |t Frontmatter --   |t Contents --   |t 1 Caribbean Mediascapes: After the Image --   |t 2 Enacting Others: Blackface, Brownface, and Caribbean Selves --   |t 3 Ratchetness and Vlogging the Self --   |t 4 Cities of the Dead: Performing Life in the Caribbean --   |t 5 Indebted Citizenships and Afterlives of Disaster --   |t Acknowledgments --   |t Notes --   |t Works Cited --   |t Index --   |t About the Author 
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520 |a In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant’s insight that “Caribbean reality might not be accessed by remote control” the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
653 |a caribbean, media, pop culture, art, society, globalization, ethnicity, blackface, stereotypes, writers, vloggers, performers, politics. 
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