Prestige Television : : Cultural and Artistic Value in Twenty-First-Century America / / ed. by Seth Friedman, Amanda Keeler.

Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recog...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2022]
©2023
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (202 p.) :; 35 b&w illustrations
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Other title:Frontmatter --
Contents --
Introduction --
Part 1 The Fringes of Prestige TV: Genre and Markers of Distinction --
1 Spies Like Us: Genre Mixing, Brand Building, and Reagan’s 1980s in The Americans --
2 Disrupting the Pattern of Prestige TV: Fringe --
3 “But Is It Star Trek?” Prestige, Fandom, and the Return of Star Trek to Television --
4 Negotiating Prestige on The CW: Is Roswell, New Mexico “Another Show about Teenagers Getting F-cked Up and Having Sex” or a Sophisticated Exploration of Racial and Gender Politics? --
Part 2 How Contemporary Programming Met Prestige TV: Unconventional Depictions of Cultural and Televisual Norms --
5 Prestige Adaptation by Design: The Commercial Appeal of Latinx Tropes in Queen of the South --
6 “Tell Them We Are Gone” Imperial Narratives, Indigenous Perspectives, and Prestige in The Terror --
7 Prestige Comedy: Contemporary Sitcom Narrative and Complexity in How I Met Your Mother --
Part 3 Top of the Media Hierarchy: Cinematization and Television’s Elevation --
8 Running The Knick Show: Transfusing Steven Soderbergh’s Authorial Persona into the Prestige Medical Series --
9 Legitimating Top of the Lake: Jane Campion, the Film Fest, and the Miniseries --
10 Specters of Serling: Authorship, Television History, and Inherited Prestige in The Twilight Zone (2019–2020) --
Acknowledgments --
Selected Bibliography --
Notes on Contributors --
Index
Summary:Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781978818309
9783110992809
9783110992816
9783110993899
9783110994810
9783110791303
DOI:10.36019/9781978818309
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: ed. by Seth Friedman, Amanda Keeler.