Stanley Kubrick Produces / / James Fenwick.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2020
• VerfasserIn: Fenwick, James,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2020]; ©2021
• Year of Publication: 2020
• Language: English
• Physical Description: 1 online resource (230 p.)

Stanley Kubrick Produces provides the first comprehensive account of Stanley Kubrick’s role as a producer, and of the role of the producers he worked with throughout his career. It considers how he first emerged as a producer, how he developed the role, and how he ultimately used it to fashion himself a powerbase by the 1970s. It goes on to consider how Kubrick’s centralizing of power became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production. Making use of overlooked archival sources and uncovering newly discovered ‘lost’ Kubrick projects (The Cop Killer, Shark Safari, and The Perfect Marriage among them), as well as providing the first detailed overview of the World Assembly of Youth film, James Fenwick provides a comprehensive account of Kubrick’s life and career and of how he managed to obtain the level of control that he possessed by the 1970s. Along the way, the book traces the rapid changes taking place in the American film industry in the post-studio era, uncovering new perspectives about the rise of young independent producers, the operations of influential companies such as Seven Arts and United Artists, and the whole field of film marketing.

Table of Contents

Frontmatter -- Contents -- Introduction -- Part 1 The Emergence of a Film Producer, 1928–1955 -- 1 The Beginning, 1928–1951 -- 2 The Unknown Early Years, 1951–1953 -- 3 The New York “Film School,” 1953–1955 -- Part 2 The Harris-Kubrick Pictures Corporation, 1955–1962 -- 4 The New UA Team, 1955–1956 -- 5 New Modes of Producing, 1957–1959 -- 6 Swords, Sandals, Sex, and Soviets, 1959–1962 -- Part 3 Polaris Productions and Hawk Films, 1962–1969 -- 7 The Establishment of a Producing Powerhouse, 1962–1964 -- 8 Kubrick versus MGM, 1964–1969 -- Part 4 The Decline of a Film Producer, 1970–1999 -- 9 Kubrick and Warner Bros., 1970–1980 -- 10 The End, 1980–1999 -- Epilogue -- Appendix A: World Assembly of Youth Credits -- Appendix B: Filmography -- Acknowledgments -- Notes -- Select Bibliography -- Index