Before Bemberg : : Women Filmmakers in Argentina / / Matt Losada.

Before Bemberg: Argentine Women Filmmakers calls into question the historiography of Argentine women filmmakers that has centered on María Luisa Bemberg to the exclusion of her predecessors. Its introductory discussion of the abundant initial participation by women in film production in the 1910s is...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2020
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Online Access:
Physical Description:1 online resource (194 p.) :; None
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245 1 0 |a Before Bemberg :  |b Women Filmmakers in Argentina /  |c Matt Losada. 
264 1 |a New Brunswick, NJ :   |b Rutgers University Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (194 p.) :  |b None 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1 A History of the Gendered Division of Labor in Argentine Cinema --   |t 2 Eva Landeck --   |t 3 Beauvoir before Bemberg --   |t Acknowledgments --   |t Filmography --   |t Notes --   |t Works Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Before Bemberg: Argentine Women Filmmakers calls into question the historiography of Argentine women filmmakers that has centered on María Luisa Bemberg to the exclusion of her predecessors. Its introductory discussion of the abundant initial participation by women in film production in the 1910s is followed by an account of their exclusion from creative roles in the studio cinema, which was only altered by the opportunities opened by a boom in short filmmaking in the 1960s. The book then discusses in depth the six sound features directed by women before 1980, which, despite their trailblazing explorations of the perspectives of female characters, daring denunciations of authoritarianism and censorship, and modernizing formal invention, have been forgotten by Argentine film history. Looking at the work and roles of Eva Landeck, Vlasta Lah, María Herminia Avellaneda and María Elena Walsh and Maria Bemberg, the book recognizes these filmmakers’ contributions at a significant moment in which movements to eliminate gender-based oppression and violence in Argentina and elsewhere are surging. Watch some of the films discussed in the book with English subtitles (https://www.youtube.com/channel/UCF_6F4am5024rklIWwExUVA?view_as=subscriber). 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Motion picture industry  |z Argentina  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Argentina  |x History  |y 20th century. 
650 0 |a Women in the motion picture industry. 
650 0 |a Women motion picture producers and directors  |z Argentina  |v Biography. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a historiography, history, Argentine, María Luisa Bemberg, 1910s, Film, cinema, 1960s, censorship, modernizing, Eva Landeck, Vlasta Lah, María Herminia Avellaneda, gender-based, genger-based, Filmmaker, female characters, daring denunciations, Women, Media Studies, Communications Gender Studies, Latin American Studies, Women's Studies. 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Rutgers University Press Complete eBook-Package 2020  |z 9783110690330 
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