From Dead Ends to Cold Warriors : : Constructing American Boyhood in Postwar Hollywood Films / / Peter W.Y. Lee.

After World War II, studies examining youth culture on the silver screen start with James Dean. But the angst that Dean symbolized—anxieties over parents, the “Establishment,” and the expectations of future citizen-soldiers—long predated Rebels without a Cause. Historians have largely overlooked how...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2021]
©2021
Year of Publication:2021
Language:English
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Physical Description:1 online resource (252 p.) :; 35 b-w images, 4 color images, 2 tables
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100 1 |a Lee, Peter W.Y.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a From Dead Ends to Cold Warriors :  |b Constructing American Boyhood in Postwar Hollywood Films /  |c Peter W.Y. Lee. 
264 1 |a New Brunswick, NJ :   |b Rutgers University Press,   |c [2021] 
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300 |a 1 online resource (252 p.) :  |b 35 b-w images, 4 color images, 2 tables 
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505 0 0 |t Frontmatter --   |t Contents --   |t Foreword --   |t Abbreviations --   |t Chronology --   |t Introduction: Are the Kids All Right? --   |t 1 The Family in Trouble, 1920–1945 --   |t 2 Gable Is Able: Re-creating the Postwar Family --   |t 3 Curbing Delinquency: Hot Rodding and Hot Rods --   |t 4 Whitewashing the Race Cycle in 1949 --   |t 5 The International Picture --   |t Conclusion Revising the “Deanlinquent" --   |t Acknowledgments --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
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520 |a After World War II, studies examining youth culture on the silver screen start with James Dean. But the angst that Dean symbolized—anxieties over parents, the “Establishment,” and the expectations of future citizen-soldiers—long predated Rebels without a Cause. Historians have largely overlooked how the Great Depression and World War II impacted and shaped the Cold War, and youth contributed to the national ideologies of family and freedom. From Dead Ends to Cold Warriors explores this gap by connecting facets of boyhood as represented in American film from the 1930s to the postwar years. From the Andy Hardy series to pictures such as The Search, Intruder in the Dust, and The Gunfighter, boy characters addressed larger concerns over the dysfunctional family unit, militarism, the “race question,” and the international scene as the Korean War began. Navigating the political, social, and economic milieus inside and outside of Hollywood, Peter W.Y. Lee demonstrates that continuities from the 1930s influenced the unique postwar moment, coalescing into anticommunism and the Cold War. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Boys in motion pictures. 
650 0 |a Motion pictures  |x Political aspects  |z United States  |x History  |y 20th century. 
650 0 |a Motion pictures  |x Social aspects  |z United States  |x History  |y 20th century. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a Hollywood, Film, Media, Culture, War Culture, World War II, James Dean, Citizens, Soldiers, Great Depression, Cold War, America, Film Culture, Cinema, Militarism, Family, Politics, Society, 1930s, Postwar, Anticommunism, Movement, Youth, Nationalism, History. 
700 1 |a Jarman Jr, Claude,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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