The Cinema of Rithy Panh : : Everything Has a Soul / / Joseph Mai, Leslie Barnes; ed. by Joseph Mai, Leslie Barnes.
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentari...
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2021] ©2022 |
Year of Publication: | 2021 |
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Barnes, Leslie, author. aut http://id.loc.gov/vocabulary/relators/aut The Cinema of Rithy Panh : Everything Has a Soul / Joseph Mai, Leslie Barnes; ed. by Joseph Mai, Leslie Barnes. New Brunswick, NJ : Rutgers University Press, [2021] ©2022 1 online resource (264 p.) : 21 b-w images text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Global Film Directors Frontmatter -- CONTENTS -- CHRONOLOGY -- Introduction: Rithy Panh and the Cinematic Image -- Part I: Aftermath: A Cinema of Postwar Survival -- 1 The “Mad Mother” in Rithy Panh’s Films -- 2 Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theatre -- 3 The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise -- Part II: From Colonial to Global Cambodia -- 4 Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia -- 5 Rithy Panh as Chasseur d’images -- 6 Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch -- 7 Cambodia’s “Wandering Souls”: Migrant Labor and the Promise of Connection -- Part III: The Question of Justice -- 8 Archiving the Perpetrator -- 9 Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh -- 10 Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment -- Part IV: Memory, Voice, and Cinematic Practice -- 11 Looking Back and Projecting Forward from Site 2 -- 12 Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure -- 13 Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index -- 14 Rithy Panh: Storyteller of the Extreme -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia’s transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh’s attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director’s lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia’s cinematic visionaries. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) PERFORMING ARTS / General. bisacsh film, media, Asian studies, human rights, genocide, France, essays, aesthetic, soul, Cambodia, global, justice, imperialism, diaspora, gender, labor, director, directing, visionary, documentary, Rithy Panh, global cinema, art, globalization, storytelling, biography, post-war, colonial. Barnes, Leslie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Barnes, Leslie, editor. edt http://id.loc.gov/vocabulary/relators/edt Benzaquen-Gautier, Stephanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Benzaquen-Gautier, Stéphanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cazenave, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb French, Lindsay, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harrison, Rachel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kleinen, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb LaRocca, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ly, Boreth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mai, Joseph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mai, Joseph, editor. edt http://id.loc.gov/vocabulary/relators/edt Morag, Raya, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Phay, Soko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reid, Donald, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schlund-Vials, Cathy J, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schlund-Vials, Cathy J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sánchez-Biosca, Vicente, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Um, Khatharya, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yeager, Jack A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 9783110753790 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English 9783110754032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English 9783110754001 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 9783110753776 ZDB-23-DGG Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2021 9783110739138 https://doi.org/10.36019/9781978809833 https://www.degruyter.com/isbn/9781978809833 Cover https://www.degruyter.com/document/cover/isbn/9781978809833/original |
language |
English |
format |
eBook |
author |
Barnes, Leslie, Barnes, Leslie, |
spellingShingle |
Barnes, Leslie, Barnes, Leslie, The Cinema of Rithy Panh : Everything Has a Soul / Global Film Directors Frontmatter -- CONTENTS -- CHRONOLOGY -- Introduction: Rithy Panh and the Cinematic Image -- Part I: Aftermath: A Cinema of Postwar Survival -- 1 The “Mad Mother” in Rithy Panh’s Films -- 2 Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theatre -- 3 The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise -- Part II: From Colonial to Global Cambodia -- 4 Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia -- 5 Rithy Panh as Chasseur d’images -- 6 Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch -- 7 Cambodia’s “Wandering Souls”: Migrant Labor and the Promise of Connection -- Part III: The Question of Justice -- 8 Archiving the Perpetrator -- 9 Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh -- 10 Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment -- Part IV: Memory, Voice, and Cinematic Practice -- 11 Looking Back and Projecting Forward from Site 2 -- 12 Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure -- 13 Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index -- 14 Rithy Panh: Storyteller of the Extreme -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
author_facet |
Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Benzaquen-Gautier, Stephanie, Benzaquen-Gautier, Stephanie, Benzaquen-Gautier, Stéphanie, Benzaquen-Gautier, Stéphanie, Cazenave, Jennifer, Cazenave, Jennifer, French, Lindsay, French, Lindsay, Harrison, Rachel, Harrison, Rachel, Kleinen, John, Kleinen, John, LaRocca, David, LaRocca, David, Ly, Boreth, Ly, Boreth, Mai, Joseph, Mai, Joseph, Mai, Joseph, Mai, Joseph, Morag, Raya, Morag, Raya, Phay, Soko, Phay, Soko, Reid, Donald, Reid, Donald, Schlund-Vials, Cathy J, Schlund-Vials, Cathy J, Schlund-Vials, Cathy J., Schlund-Vials, Cathy J., Sánchez-Biosca, Vicente, Sánchez-Biosca, Vicente, Um, Khatharya, Um, Khatharya, Yeager, Jack A., Yeager, Jack A., |
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Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Barnes, Leslie, Benzaquen-Gautier, Stephanie, Benzaquen-Gautier, Stephanie, Benzaquen-Gautier, Stéphanie, Benzaquen-Gautier, Stéphanie, Cazenave, Jennifer, Cazenave, Jennifer, French, Lindsay, French, Lindsay, Harrison, Rachel, Harrison, Rachel, Kleinen, John, Kleinen, John, LaRocca, David, LaRocca, David, Ly, Boreth, Ly, Boreth, Mai, Joseph, Mai, Joseph, Mai, Joseph, Mai, Joseph, Morag, Raya, Morag, Raya, Phay, Soko, Phay, Soko, Reid, Donald, Reid, Donald, Schlund-Vials, Cathy J, Schlund-Vials, Cathy J, Schlund-Vials, Cathy J., Schlund-Vials, Cathy J., Sánchez-Biosca, Vicente, Sánchez-Biosca, Vicente, Um, Khatharya, Um, Khatharya, Yeager, Jack A., Yeager, Jack A., |
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author_sort |
Barnes, Leslie, |
title |
The Cinema of Rithy Panh : Everything Has a Soul / |
title_sub |
Everything Has a Soul / |
title_full |
The Cinema of Rithy Panh : Everything Has a Soul / Joseph Mai, Leslie Barnes; ed. by Joseph Mai, Leslie Barnes. |
title_fullStr |
The Cinema of Rithy Panh : Everything Has a Soul / Joseph Mai, Leslie Barnes; ed. by Joseph Mai, Leslie Barnes. |
title_full_unstemmed |
The Cinema of Rithy Panh : Everything Has a Soul / Joseph Mai, Leslie Barnes; ed. by Joseph Mai, Leslie Barnes. |
title_auth |
The Cinema of Rithy Panh : Everything Has a Soul / |
title_alt |
Frontmatter -- CONTENTS -- CHRONOLOGY -- Introduction: Rithy Panh and the Cinematic Image -- Part I: Aftermath: A Cinema of Postwar Survival -- 1 The “Mad Mother” in Rithy Panh’s Films -- 2 Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theatre -- 3 The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise -- Part II: From Colonial to Global Cambodia -- 4 Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia -- 5 Rithy Panh as Chasseur d’images -- 6 Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch -- 7 Cambodia’s “Wandering Souls”: Migrant Labor and the Promise of Connection -- Part III: The Question of Justice -- 8 Archiving the Perpetrator -- 9 Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh -- 10 Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment -- Part IV: Memory, Voice, and Cinematic Practice -- 11 Looking Back and Projecting Forward from Site 2 -- 12 Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure -- 13 Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index -- 14 Rithy Panh: Storyteller of the Extreme -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
title_new |
The Cinema of Rithy Panh : |
title_sort |
the cinema of rithy panh : everything has a soul / |
series |
Global Film Directors |
series2 |
Global Film Directors |
publisher |
Rutgers University Press, |
publishDate |
2021 |
physical |
1 online resource (264 p.) : 21 b-w images |
contents |
Frontmatter -- CONTENTS -- CHRONOLOGY -- Introduction: Rithy Panh and the Cinematic Image -- Part I: Aftermath: A Cinema of Postwar Survival -- 1 The “Mad Mother” in Rithy Panh’s Films -- 2 Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theatre -- 3 The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise -- Part II: From Colonial to Global Cambodia -- 4 Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia -- 5 Rithy Panh as Chasseur d’images -- 6 Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch -- 7 Cambodia’s “Wandering Souls”: Migrant Labor and the Promise of Connection -- Part III: The Question of Justice -- 8 Archiving the Perpetrator -- 9 Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh -- 10 Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment -- Part IV: Memory, Voice, and Cinematic Practice -- 11 Looking Back and Projecting Forward from Site 2 -- 12 Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure -- 13 Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index -- 14 Rithy Panh: Storyteller of the Extreme -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
isbn |
9781978809833 9783110753790 9783110754032 9783110754001 9783110753776 9783110739138 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
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PN1998 |
callnumber-sort |
PN 41998.3 R5755 C56 42021 |
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https://doi.org/10.36019/9781978809833 https://www.degruyter.com/isbn/9781978809833 https://www.degruyter.com/document/cover/isbn/9781978809833/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/330922 |
dewey-sort |
3791.4302 6330922 |
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791.4302/330922 |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2021 |
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ed. by Joseph Mai, Leslie Barnes.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ : </subfield><subfield code="b">Rutgers University Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (264 p.) :</subfield><subfield code="b">21 b-w images</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Global Film Directors</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">CHRONOLOGY -- </subfield><subfield code="t">Introduction: Rithy Panh and the Cinematic Image -- </subfield><subfield code="t">Part I: Aftermath: A Cinema of Postwar Survival -- </subfield><subfield code="t">1 The “Mad Mother” in Rithy Panh’s Films -- </subfield><subfield code="t">2 Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theatre -- </subfield><subfield code="t">3 The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise -- </subfield><subfield code="t">Part II: From Colonial to Global Cambodia -- </subfield><subfield code="t">4 Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia -- </subfield><subfield code="t">5 Rithy Panh as Chasseur d’images -- </subfield><subfield code="t">6 Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch -- </subfield><subfield code="t">7 Cambodia’s “Wandering Souls”: Migrant Labor and the Promise of Connection -- </subfield><subfield code="t">Part III: The Question of Justice -- </subfield><subfield code="t">8 Archiving the Perpetrator -- </subfield><subfield code="t">9 Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh -- </subfield><subfield code="t">10 Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment -- </subfield><subfield code="t">Part IV: Memory, Voice, and Cinematic Practice -- </subfield><subfield code="t">11 Looking Back and Projecting Forward from Site 2 -- </subfield><subfield code="t">12 Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure -- </subfield><subfield code="t">13 Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index -- </subfield><subfield code="t">14 Rithy Panh: Storyteller of the Extreme -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia’s transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh’s attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director’s lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia’s cinematic visionaries.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">film, media, Asian studies, human rights, genocide, France, essays, aesthetic, soul, Cambodia, global, justice, imperialism, diaspora, gender, labor, director, directing, visionary, documentary, Rithy Panh, global cinema, art, globalization, storytelling, biography, post-war, colonial.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barnes, Leslie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barnes, Leslie, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield 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