Movie Minorities : : Transnational Rights Advocacy and South Korean Cinema / / David Scott Diffrient, Hye Seung Chung.
Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2021] ©2021 |
Year of Publication: | 2021 |
Language: | English |
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Physical Description: | 1 online resource (252 p.) :; 30 b-w images, 1 table |
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LEADER | 06575nam a22008055i 4500 | ||
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001 | 9781978809680 | ||
003 | DE-B1597 | ||
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100 | 1 | |a Chung, Hye Seung, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Movie Minorities : |b Transnational Rights Advocacy and South Korean Cinema / |c David Scott Diffrient, Hye Seung Chung. |
264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2021] | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (252 p.) : |b 30 b-w images, 1 table | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t A Note on the Text -- |t Introduction “I Am a Human Being” The Question of Rights in South Korean Cinema -- |t Part 1 Institutional Foundations and Formal Structures -- |t 1 The Rise of Rights-Advocacy Cinema in Postauthoritarian South Korea -- |t 2 If You Were Me -- |t Part 2 Movie Minors and Minor Cinemas -- |t 3 Hell Is Other High Schoolers. Bigots, Bullies, and Teenage “Villainy” in South Korean Cinema -- |t 4 Indie Filmmaking and Queer Advocacy. Converging Identities in Leesong Hee-il’s Films and Writing -- |t 5 Always, Blind, and Silenced Disability Discourses in Contemporary South Korean Cinema -- |t 6 Barrier-Free Cinema Caring for People with Disabilities and Touching the Other in Planet of Snail -- |t Part 4 Representing Prisoners of the North and South -- |t 7 Beyond Torture Epistephilia. The Ethics of Encounter and Separation in Kim Dong-won’s Repatriatio -- |t 8 Story as Freedom or Prison? Narrative Invention and Human Rights Interventions in Camp 14: Total Control Zone -- |t Part 5 Migrant Worker Rights in Hybrid Documentaries -- |t 9 Between Scenery and Scenario Landscape, Narrative, and Structured Absence in a Korean Migrant Workers Documentary -- |t 10 “Powers of the False” and “Real Fiction” Migrant Workers in The City of Cranes and Other Mockumentaries -- |t Part 6 Nonhuman Rights in a Posthuman World -- |t 11 Animal Rights Advocacy, Holocaustal Imagery, and Interspecies Empathy in An Omnivorous Family’s Dilemma and O -- |t Coda “I Am (Not) a Human Being” The Question of Robot Rights in South Korean Cinema -- |t Acknowledgments -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a Human rights in motion pictures. | |
650 | 0 | |a Minorities in motion pictures. | |
650 | 0 | |a Motion pictures |z Korea (South) |x History |y 20th century. | |
650 | 0 | |a Motion pictures |z Korea (South) |x History |y 21st century. | |
650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
653 | |a South Korea, foreign film, Asian films, social justice, Okja, activist films, human rights, civil liberties, inspirational films, Korean migrant workers, migrant workers, Korean mockumentaries, South Korean cinema, disability rights, animal rights advocacy, filmmaking, human rights abuses, transnational rights, justice, sexual harassment. | ||
700 | 1 | |a Diffrient, David Scott, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts 2021 |z 9783110753790 |o ZDB-23-DPK |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2021 English |z 9783110754032 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 English |z 9783110754001 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 |z 9783110753776 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Complete eBook-Package 2021 |z 9783110739138 |
856 | 4 | 0 | |u https://doi.org/10.36019/9781978809680?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781978809680 |
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