Fredric Jameson and Film Theory : : Marxism, Allegory, and Geopolitics in World Cinema / / ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski.
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation,...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (264 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781978808904 |
---|---|
lccn |
2021016519 |
ctrlnum |
(DE-B1597)617125 (OCoLC)1285165810 |
collection |
bib_alma |
record_format |
marc |
spelling |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski. New Brunswick, NJ : Rutgers University Press, [2022] ©2022 1 online resource (264 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Geopolitics in motion pictures. Marxist criticism. Motion pictures Philosophy. Philosophers United States Biography. PERFORMING ARTS / General. bisacsh marxism, allegory, geopolitics, cinema, film, Frederic Jameson, media studies, communications, philosophy, social theory, film theory, totality, national allegory, globalization, representation, pastiche, realism, modernism, postmodernism, neoliberal capitalism, Asia, Latin America, Europe, North America, Stalin, Parasite, All the President's Men, military science fiction, Three Songs of Lenin, The Geopolitical Aesthetic. Andrew, Dudley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coates, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cramer, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cramer, Michael, editor. edt http://id.loc.gov/vocabulary/relators/edt Duncan, Pansy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hassler-Forest, Dan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jameson, Fredric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mackay, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Szaniawski, Jeremi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Szaniawski, Jeremi, editor. edt http://id.loc.gov/vocabulary/relators/edt Vazquez, Mercedes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vázque, Mercedes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wagner, Keith B., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wagner, Keith B., editor. edt http://id.loc.gov/vocabulary/relators/edt Wayne, Mike, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wong, Alvin K., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yamamoto, Naoki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2022 9783110766479 https://doi.org/10.36019/9781978808904 https://www.degruyter.com/isbn/9781978808904 Cover https://www.degruyter.com/document/cover/isbn/9781978808904/original |
language |
English |
format |
eBook |
author2 |
Andrew, Dudley, Andrew, Dudley, Coates, Paul, Coates, Paul, Cramer, Michael, Cramer, Michael, Cramer, Michael, Cramer, Michael, Duncan, Pansy, Duncan, Pansy, Hassler-Forest, Dan, Hassler-Forest, Dan, Jameson, Fredric, Jameson, Fredric, Mackay, John, Mackay, John, Szaniawski, Jeremi, Szaniawski, Jeremi, Szaniawski, Jeremi, Szaniawski, Jeremi, Vazquez, Mercedes, Vazquez, Mercedes, Vázque, Mercedes, Vázque, Mercedes, Wagner, Keith B., Wagner, Keith B., Wagner, Keith B., Wagner, Keith B., Wayne, Mike, Wayne, Mike, Wong, Alvin K., Wong, Alvin K., Yamamoto, Naoki, Yamamoto, Naoki, |
author_facet |
Andrew, Dudley, Andrew, Dudley, Coates, Paul, Coates, Paul, Cramer, Michael, Cramer, Michael, Cramer, Michael, Cramer, Michael, Duncan, Pansy, Duncan, Pansy, Hassler-Forest, Dan, Hassler-Forest, Dan, Jameson, Fredric, Jameson, Fredric, Mackay, John, Mackay, John, Szaniawski, Jeremi, Szaniawski, Jeremi, Szaniawski, Jeremi, Szaniawski, Jeremi, Vazquez, Mercedes, Vazquez, Mercedes, Vázque, Mercedes, Vázque, Mercedes, Wagner, Keith B., Wagner, Keith B., Wagner, Keith B., Wagner, Keith B., Wayne, Mike, Wayne, Mike, Wong, Alvin K., Wong, Alvin K., Yamamoto, Naoki, Yamamoto, Naoki, |
author2_variant |
d a da d a da p c pc p c pc m c mc m c mc m c mc m c mc p d pd p d pd d h f dhf d h f dhf f j fj f j fj j m jm j m jm j s js j s js j s js j s js m v mv m v mv m v mv m v mv k b w kb kbw k b w kb kbw k b w kb kbw k b w kb kbw m w mw m w mw a k w ak akw a k w ak akw n y ny n y ny |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Andrew, Dudley, |
title |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / |
spellingShingle |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index |
title_sub |
Marxism, Allegory, and Geopolitics in World Cinema / |
title_full |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski. |
title_fullStr |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski. |
title_full_unstemmed |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski. |
title_auth |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / |
title_alt |
Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index |
title_new |
Fredric Jameson and Film Theory : |
title_sort |
fredric jameson and film theory : marxism, allegory, and geopolitics in world cinema / |
publisher |
Rutgers University Press, |
publishDate |
2022 |
physical |
1 online resource (264 p.) |
contents |
Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index |
isbn |
9781978808904 9783110992809 9783110992816 9783110993899 9783110994810 9783110766479 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN75 |
callnumber-sort |
PN 275 J36 F745 42022 |
genre_facet |
Biography. |
geographic_facet |
United States |
url |
https://doi.org/10.36019/9781978808904 https://www.degruyter.com/isbn/9781978808904 https://www.degruyter.com/document/cover/isbn/9781978808904/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
801 - Philosophy & theory |
dewey-full |
801/.95092 |
dewey-sort |
3801 595092 |
dewey-raw |
801/.95092 |
dewey-search |
801/.95092 |
doi_str_mv |
10.36019/9781978808904 |
oclc_num |
1285165810 |
work_keys_str_mv |
AT andrewdudley fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT coatespaul fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT cramermichael fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT duncanpansy fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT hasslerforestdan fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT jamesonfredric fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT mackayjohn fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT szaniawskijeremi fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT vazquezmercedes fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT vazquemercedes fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT wagnerkeithb fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT waynemike fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT wongalvink fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema AT yamamotonaoki fredricjamesonandfilmtheorymarxismallegoryandgeopoliticsinworldcinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)617125 (OCoLC)1285165810 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2022 |
is_hierarchy_title |
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1770177326935441408 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07497nam a22009735i 4500</leader><controlfield tag="001">9781978808904</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20221201113901.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221201t20222022nju fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2021016519</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781978808904</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.36019/9781978808904</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)617125</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1285165810</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN75.J36</subfield><subfield code="b">F745 2022</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">801/.95092</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Fredric Jameson and Film Theory :</subfield><subfield code="b">Marxism, Allegory, and Geopolitics in World Cinema /</subfield><subfield code="c">ed. by Michael Cramer, Keith B. Wagner, Jeremi Szaniawski.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ : </subfield><subfield code="b">Rutgers University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (264 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- </subfield><subfield code="t">1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- </subfield><subfield code="t">2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- </subfield><subfield code="t">3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- </subfield><subfield code="t">4 Jameson, Angelopoulos, and the Spirit of Utopia -- </subfield><subfield code="t">5 Jameson and Japanese Media Theory: A Virtual Dialogue -- </subfield><subfield code="t">6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- </subfield><subfield code="t">7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- </subfield><subfield code="t">8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- </subfield><subfield code="t">9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- </subfield><subfield code="t">10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- </subfield><subfield code="t">11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- </subfield><subfield code="t">12 “An American Utopia” and the Politics of Military Science Fiction -- </subfield><subfield code="t">Afterword -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Geopolitics in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Marxist criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Philosophers</subfield><subfield code="z">United States</subfield><subfield code="v">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">marxism, allegory, geopolitics, cinema, film, Frederic Jameson, media studies, communications, philosophy, social theory, film theory, totality, national allegory, globalization, representation, pastiche, realism, modernism, postmodernism, neoliberal capitalism, Asia, Latin America, Europe, North America, Stalin, Parasite, All the President's Men, military science fiction, Three Songs of Lenin, The Geopolitical Aesthetic.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andrew, Dudley, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Coates, Paul, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cramer, Michael, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cramer, Michael, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Duncan, Pansy, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hassler-Forest, Dan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jameson, Fredric, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mackay, John, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Szaniawski, Jeremi, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Szaniawski, Jeremi, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vazquez, Mercedes, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vázque, Mercedes, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wagner, Keith B., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wagner, Keith B., </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wayne, Mike, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wong, Alvin K., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Yamamoto, Naoki, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Arts 2022</subfield><subfield code="z">9783110992809</subfield><subfield code="o">ZDB-23-DPK</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Arts, Architecture and Design 2022 English</subfield><subfield code="z">9783110992816</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="z">9783110993899</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022</subfield><subfield code="z">9783110994810</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Rutgers University Press Complete eBook-Package 2022</subfield><subfield code="z">9783110766479</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.36019/9781978808904</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781978808904</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781978808904/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-076647-9 Rutgers University Press Complete eBook-Package 2022</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099281-6 EBOOK PACKAGE Arts, Architecture and Design 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099389-9 EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DPK</subfield><subfield code="b">2022</subfield></datafield></record></collection> |