Whitewashing the Movies : : Asian Erasure and White Subjectivity in U.S. Film Culture / / David C Oh.

Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpos...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2021]
©2022
Year of Publication:2021
Language:English
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Physical Description:1 online resource (228 p.) :; 1 b-w image
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100 1 |a Oh, David C,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Whitewashing the Movies :  |b Asian Erasure and White Subjectivity in U.S. Film Culture /  |c David C Oh. 
264 1 |a New Brunswick, NJ :   |b Rutgers University Press,   |c [2021] 
264 4 |c ©2022 
300 |a 1 online resource (228 p.) :  |b 1 b-w image 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1 Whitewashing Romance in Hawai’i: Aloha --   |t 2 White China Experts, Asian American Twinkies: Shanghai Calling and Already Tomorrow in Hong Kong --   |t 3 White Grievance, Heroism, and Postracist, Mixed-Race Inclusion: 47 Ronin --   |t 4 Satire and the Villainy of Kim Jong-un: The Interview --   |t 5 White Survival in Southeast Asia: No Escape and The Impossible --   |t 6 Whitewashing Anime Remakes: Ghost in the Shell and Dragonball Evolution --   |t 7 Transnational Coproduction and the Ambivalence of White Masculine Heroism: The Great Wall, Outcast, and Enter the Warriors Gate --   |t Conclusion --   |t Acknowledgments --   |t Notes --   |t References --   |t Index --   |t About the Author 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of “whitewashing” in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Asian Americans in motion pictures. 
650 0 |a Ethnicity in motion pictures. 
650 0 |a Motion pictures  |z United States  |x History  |y 20th century. 
650 0 |a Motion pictures  |z United States  |x History  |y 21st century. 
650 0 |a White people in motion pictures. 
650 0 |a Whites in motion pictures. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a film, films, movies, movie, white, whitewashing, Asian actors, asian, asian characters, asian actresses, media, activist, activism, white actors, Asian Americans, Ghost in the Shell, Aloha, privilege, White identities, AsianAmerican stories, China, US-China co-productions, Whiteness, media studies, White racial hegemony, AsianAmerican representation, Hawai’i, White China, Kim Jong Un, Whitewashing anime, Transnational, White masculine heroism, The Great Wall, Outcast, Enter the Warrior’s Gate, 47 Ronin, The Interview, The Impossible. 
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