Transnational Korean Cinema : : Cultural Politics, Film Genres, and Digital Technologies / / Dal Yong Jin.

• Superior document: Title is part of eBook package: De Gruyter Art and Architecture eBook-Package 2020
• VerfasserIn: Jin, Dal Yong,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Physical Description: 1 online resource (200 p.) :; 15 tables, 2 figures
• Other title: Frontmatter --; CONTENTS --; Preface --; 1 The Emergence of Contemporary Korean Cinema --; 2 State Film Policy and the Politicization of Censorship --; 3 Screen Quotas in the Era of the U.S.-Korea FTA --; 4 Conglomeration, Screen Oligopoly, and Cultural Diversity --; 5 Public Film Funding and Transnational Production --; 6 Coproduction and Transnationalization of Korean Cinema --; 7 Transnationalization of Film Genres --; 8 Transmedia Storytelling of Webtoons in Films in the Digital Era --; 9 Conclusion: Korean Cinema's Future in Digital Technologies --; Notes --; References --; Index --; ABOUT THE AUTHOR
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781978807921; 9783110738230; 9783110704655; 9783110704785; 9783110704716; 9783110704518; 9783110690330
• DOI: 10.36019/9781978807921?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Dal Yong Jin.

In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies. The book emphasizes the economic and industrial aspects of the story, looking at questions on the interaction of politics and economics, including censorship and public funding, and provides a better view of the big picture by laying bare the relationship between film industries, the global market, and government. Jin also sheds light on the operations and globalization strategies of Korean film industries alongside changing cultural policies in tandem with Hollywood's continuing influences in order to comprehend the power relations within cultural politics, nationally and globally. This is the first book to offer a full overview of the nascent development of Korean cinema.