Women Make Horror : : Filmmaking, Feminism, Genre /

Women Make Horror : : Filmmaking, Feminism, Genre / / ed. by Alison Peirse.

Winner of the the 2021 Best Edited Collection Award from BAFTSS ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they...

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Bibliographic Details
TeilnehmendeR:
Chambers, Amy C.
Decker, Lindsey.
Harrington, Erin.
Heller-Nicholas, Alexandra.
Houde, Katia.
Kim, Molly.
Kozma, Alicia.
Lindvall, Valeria Villegas.
Loreck, Janice.
Lupher, Sonia.
McDonald, Tamar Jeffers.
McGillvray, Maddison.
McRae, Donna.
Mee, Laura.
Paszkiewicz, Katarzyna.
Peirse, Alison.
Schweitzer, Dahlia.
Shearer, Martha.
Taylor, Tosha R.
MitwirkendeR:
Chambers, Amy C.,
Decker, Lindsey,
Harrington, Erin,
Heller-Nicholas, Alexandra,
Houde, Katia,
Kim, Molly,
Kozma, Alicia,
Loreck, Janice,
Lupher, Sonia,
Mcgillvray, Maddi,
Mcrae, Donna,
Mee, Laura,
Paszkiewicz, Katarzyna,
Peirse, Alison,
Schweitzer, Dahlia,
Shearer, Martha,
Taylor, Tosha R.,
Villegas Lindvall, Valeria,
HerausgeberIn:
Peirse, Alison,
Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2021]
©2020
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (234 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • 1. Women Make (Write, Produce, Direct, Shoot, Edit, and Analyze) Horror
  • 2. Stephanie Rothman and Vampiric Film Histories
  • 3. Inside Karen Arthur’s The Mafu Cage
  • 4. The Secret Beyond the Door: Daria Nicolodi and Suspiria’s Multiple Authorship
  • 5. Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor
  • 6. Self-Reflexivity and Feminist Camp in Freddy’s Dead: The Final Nightmare
  • 7. Why Office Killer Matters
  • 8. Murders and Adaptations: Gender in American Psycho
  • 9. Gender, Genre, and Authorship in Ginger Snaps
  • 10. The Feminist Art Horror of the New French Extremity
  • 11. Women-Made Horror in Korean Cinema
  • 12. The Stranger With My Face International Film Festival and the Australian Female Gothic
  • 13. Slicing Up the Boys’ Club: The Female-Led Horror Anthology Film
  • 14. The Transnational Gaze in A Girl Walks Home Alone at Night
  • 15. Gigi Saul Guerrero and Her Latin American Female Monsters
  • 16. Uncanny Tales: Lucile Hadžihalilović’s Évolution
  • 17. The (Re)birth of Pregnancy Horror in Alice Lowe’s Prevenge
  • 18. The Rise of the Female Horror Filmmaker-Fan
  • Acknowledgments
  • Notes on Contributors
  • Index

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