In Plenty and in Time of Need : : Popular Culture and the Remapping of Barbadian Identity / / Lia T. Bascomb.
In Plenty and in Time of Need demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. As the most widespread manifestation of social commentary, the...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2020 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2019] ©2020 |
Year of Publication: | 2019 |
Language: | English |
Series: | Critical Caribbean Studies
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Online Access: | |
Physical Description: | 1 online resource (305 p.) :; 17 b-w |
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100 | 1 | |a Bascomb, Lia T., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a In Plenty and in Time of Need : |b Popular Culture and the Remapping of Barbadian Identity / |c Lia T. Bascomb. |
264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2019] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (305 p.) : |b 17 b-w | ||
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520 | |a In Plenty and in Time of Need demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. As the most widespread manifestation of social commentary, the book uses music and performance to analyze the competing ideals and realities of the national culture. It details the histories of prominent musical artists, including the prolific Pan-Africanist calypsonian the Mighty Gabby, the world-renowned Merrymen, Soca Queen Alison Hinds, artist/activist Rupee, and international superstar Rihanna. Using these artists, the project analyzes how femininity, masculinity, and sexuality are put in service of Barbadian nationalism. By examining websites, blogs, and digital products of these artists in conversation with Barbadian tourism, the book re-examines the ways in which commodity, sexuality, gender performance, and diasporic consciousness undergird individual careers and national representations. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
650 | 0 | |a Gender expression |z Barbados. | |
650 | 0 | |a Nationalism and the arts |z Barbados. | |
650 | 0 | |a Popular culture |z Barbados. | |
650 | 0 | |a Postcolonialism and the arts |z Barbados. | |
650 | 7 | |a MUSIC / General. |2 bisacsh | |
653 | |a Popular culture, Barbadian identity, Barbados, Caribbean studies, the Caribbean, music, performance, Barbadian culture, national identity, gender, sexual identity, history, history of Barbados, gendered identity, the Mighty Gabby, Merrymen, Soca Queen Alison Hinds, Rupee, Rihanna, femininity, masculinity, sexuality, Barbadian nationalism, Barbadian tourism, diasporic consciousness, national representation, gender performance, African diaspora studies, popular music, postcolonial studies, Anglophone literature, Barbadian independence, soca. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Complete eBook-Package 2020 |z 9783110690330 |
776 | 0 | |c print |z 9781978803954 | |
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856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781978803985/original |
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