Crime Stories : : Criminalistic Fantasy and the Culture of Crisis in Weimar Germany / / Todd Herzog.

The Weimar Republic (1918–1933) was a crucial moment not only in German history but also in the history of both crime fiction and criminal science. This study approaches the period from a unique perspective - investigating the most notorious criminals of the time and the public’s reaction to their c...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
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Place / Publishing House:New York ;, Oxford : : Berghahn Books, , [2009]
©2009
Year of Publication:2009
Language:English
Series:Monographs in German History ; 22
Online Access:
Physical Description:1 online resource (182 p.)
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245 1 0 |a Crime Stories :  |b Criminalistic Fantasy and the Culture of Crisis in Weimar Germany /  |c Todd Herzog. 
264 1 |a New York ;  |a Oxford :   |b Berghahn Books,   |c [2009] 
264 4 |c ©2009 
300 |a 1 online resource (182 p.) 
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490 0 |a Monographs in German History ;  |v 22 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t FIGURES --   |t ACKNOWLEDGEMENTS --   |t INTRODUCTION --   |t Chapter 1 CRIME, DETECTION, AND GERMAN MODERNISM --   |t Chapter 2 WRITING CRIMINALS Outsiders of Society and the Modernist Case History --   |t Chapter 3 UNDERSTANDING CRIMINALS Th e Cases of Ella Klein and Franz Biberkopf --   |t Chapter 4 SEEING CRIMINALS Mass Murder, Mass Culture, Mass Public --   |t Chapter 5 TRACKING CRIMINALS Th e Cases of Peter Kürten, Franz Beckert, and Emil Tischbein --   |t CONCLUSION Criminalistic Fantasy after Weimar --   |t BIBLIOGRAPHY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The Weimar Republic (1918–1933) was a crucial moment not only in German history but also in the history of both crime fiction and criminal science. This study approaches the period from a unique perspective - investigating the most notorious criminals of the time and the public’s reaction to their crimes. The author argues that the development of a new type of crime fiction during this period - which turned literary tradition on its head by focusing on the criminal and abandoning faith in the powers of the rational detective - is intricately related to new ways of understanding criminality among professionals in the fields of law, criminology, and police science. Considering Weimar Germany not only as a culture in crisis (the standard view in both popular and scholarly studies), but also as a culture of crisis, the author explores the ways in which crime and crisis became the foundation of the Republic’s self-definition. An interdisciplinary cultural studies project, this book insightfully combines history, sociology, literary studies, and film studies to investigate a topic that cuts across all of these disciplines. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Crime films  |z Germany  |x History  |y 20th century. 
650 0 |a Crime in literature. 
650 0 |a Crime in popular culture  |z Germany  |x History  |y 20th century. 
650 0 |a Criminals  |z Germany  |x History  |y 20th century. 
650 0 |a German literature  |y 20th century  |x History and criticism. 
650 0 |a Modernism (Literature)  |z Germany  |x History  |y 20th century. 
650 0 |a National characteristics, German  |x History  |y 20th century. 
650 0 |a Popular culture  |z Germany  |x History  |y 20th century. 
650 7 |a HISTORY / Europe / Germany.  |2 bisacsh 
653 |a History: 20th Century to Present, Literary Studies, Film and Television Studies, Sociology. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Berghahn Books Complete eBook-Package 2000-2013  |z 9783110998283  |o ZDB-23-BHBO 
776 0 |c print  |z 9781845454395 
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