Béla Balázs: Early Film Theory : : ‹i›Visible Man‹/i› and ‹i›The Spirit of Film‹/i› / / ed. by Rodney Livingstone, Béla Balázs, Erica Carter.

Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:New York ;, Oxford : : Berghahn Books, , [2010]
©2010
Year of Publication:2010
Language:English
Series:Film Europa ; 10
Online Access:
Physical Description:1 online resource (314 p.)
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245 0 0 |a Béla Balázs: Early Film Theory :  |b ‹i›Visible Man‹/i› and ‹i›The Spirit of Film‹/i› /  |c ed. by Rodney Livingstone, Béla Balázs, Erica Carter. 
264 1 |a New York ;  |a Oxford :   |b Berghahn Books,   |c [2010] 
264 4 |c ©2010 
300 |a 1 online resource (314 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Film Europa ;  |v 10 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t ACKNOWLEDGEMENTS --   |t NOTES ON TRANSLATION, GLOSSARY AND ABBREVIATIONS --   |t INTRODUCTION --   |t ILLUSTRATIONS --   |t VISIBLE MAN or the Culture of Film --   |t THREE ADDRESSES BY WAY OF A PREFACE --   |t VISIBLE MAN --   |t SKETCHES FOR A THEORY OF FILM --   |t TWO PORTRAITS --   |t THE SPIRIT OF FILM --   |t SEVEN YEARS --   |t THE PRODUCTIVE CAMERA --   |t THE CLOSE-UP --   |t SET-UP --   |t MONTAGE --   |t MONTAGE WITHOUT CUTTING --   |t FLIGHT FROM THE STORY --   |t THE ABSOLUTE FILM --   |t COLOUR FILM AND OTHER POSSIBILITIES --   |t THE SOUND FILM --   |t IDEOLOGICAL REMARKS --   |t APPENDIX: REVIEWS --   |t NOTES ON CONTRIBUTORS --   |t BIBLIOGRAPHY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs’s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution – alongside such contemporaries as Arnheim, Kracauer and Benjamin – to critical debate on film in the ‘golden age’ of the Weimar silents. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Motion pictures. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
653 |a Film and Television Studies. 
700 1 |a Balázs, Béla,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Balázs, Béla,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Carter, Erica,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Carter, Erica,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Livingstone, Rodney,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Berghahn Books Complete eBook-Package 2000-2013  |z 9783110998283  |o ZDB-23-BHBO 
776 0 |c print  |z 9781845456603 
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