Contested Holdings : : Museum Collections in Political, Epistemic and Artistic Processes of Return / / ed. by Felicity Bodenstein, Damiana Otoiu, Eva-Maria Troelenberg.

Going beyond strictly legal and property-oriented aspects of the restitution debate, restitution is considered as part of a larger set of processes of return that affect museums and collections, as well as notions of heritage and object status. Covering a range of case studies and a global geography...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2022
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Museums and Collections ; 14
Online Access:
Physical Description:1 online resource (306 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Illustrations
  • Acknowledgements
  • Abbreviations
  • Introduction
  • Part I. From Objects Back to People: Ways of Life and Loss
  • Chapter 1. The Value of Art – a Human Life? Works of Art in the Crosshairs of the Persecution of Jews under National Socialism
  • Chapter 2. Return as Reconstruction: The Gwoździec Synagogue Replica in the Museum of the History of Polish Jews
  • Chapter 3. The Other Nefertiti: Symbolic Restitutions
  • Part II. The Subject of Return: Between Artefacts and Bodies
  • Chapter 4. Blurring Objects: Life Casts, Human Remains and Art History
  • Chapter 5. Of Phrenology, Reconciliation and Veneration: Exhibiting the Repatriated Life Cast of Māori Chief Takatahara at the Akaroa Museum
  • Chapter 6. Ancestors or Artefacts: Contention in the Definition, Retention and Return of Ngarrindjeri Old People
  • Part III. ‘The Making of Law’: Politics and Museum Ethics
  • Chapter 7. A Long-Term Perspective on the Issue of the Return of Congolese Cultural Objects: Entangled Relations between Kinshasa and Tervuren (1930–80)
  • Chapter 8. ‘How Would You Like to See Your Great-Grandfather in a Museum?’ The Issue of ‘Human Dignity’ in Repatriation Processes (Cases Involving French Museums)
  • Chapter 9. (De)Museifying Collections of Physical Anthropology: The Display and/or the Restitution of Human Remains of Indigenous Peoples from Southern Africa
  • Part IV. Partial and Paused Returns
  • Chapter 10. Baroque Returns: The Donations and Reuses of Francesco Gualdi
  • Chapter 11. Getting the Benin Bronzes Back to Nigeria: The Art Market and the Formation of National Collections and Concepts of Heritage in Benin City and Lagos
  • Chapter 12. What Future for Looted Syrian Antiquities? The Clash between the Law and Practice for the Repatriation of Cultural Property to Countries in Crisis
  • Conclusion. Unfinished Projects of ‘Decentring’ Western Museum Practices
  • Index