Moving Frames : : Photographs in German Cinema / / ed. by Martin P. Sheehan, Carrie Collenberg-González.
As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from...
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2022] ©2022 |
Year of Publication: | 2022 |
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Moving Frames : Photographs in German Cinema / ed. by Martin P. Sheehan, Carrie Collenberg-González. New York; Oxford : Berghahn Books, [2022] ©2022 1 online resource (258 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Europa ; 26 Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- Introduction PHOTOGRAPHS AS RUPTURE AND AFFECT IN GERMAN FILM -- Chapter 1 LAYERS OF EXPOSURE The Photographic Approach in Gerhart Lamprecht’s Zille Film Slums of Berlin (1925) -- Chapter 2 OBJECTING OBJECTS Photographs and Subjectivity in The Blue Angel (1930) -- Chapter 3 BEFORE- AND AFTERLIVES On the Stillness of Photographs at the Outset of Adenauer Cinema -- Chapter 4 FILMING AFTER WALKER EVANS Wim Wenders’ “American Photographs” in Kings of the Road (1976) -- Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981) -- Chapter 6 THE PROMISE OF AGENCY Photographs and Value in Tattoo (2002) -- Chapter 7 CURATING THE IMAGE Visual Intertextuality in The Baader Meinhof Complex (2008) -- Chapter 8 RE-PRESENTING GERMAN HERITAGE FILMS Photographic Memory in Aimée & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya: Welcome to Germany (2011) -- Chapter 9 IMAGING THE “GOOD LIFE” Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) -- Chapter 10 VIOLENCE, DEATH, AND PHOTOGRAPHS Capturing the (Un)Dead in Rammbock (2010) -- Chapter 11 POSSIBLE ARCHIVES Encountering a Surveillance Photo in Karl Marx City (2016) -- Afterword TOWARD A CAMERA LUDICA Agency and Photography in Videogame Ecologies -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) Motion pictures Germany History. Photography in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Bauman, Matthew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Collenberg-González, Carrie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Collenberg-González, Carrie, editor. edt http://id.loc.gov/vocabulary/relators/edt Davidson, John E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Doerre, Jason, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Etzler, Melissa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harris, Stefanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Maughan, Curtis L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pfleger, Simone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pinkert, Anke, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Porter, Cynthia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sheehan, Martin P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sheehan, Martin P., editor. edt http://id.loc.gov/vocabulary/relators/edt Zachau, Reinhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2022 9783110997668 https://doi.org/10.1515/9781800733770 https://www.degruyter.com/isbn/9781800733770 Cover https://www.degruyter.com/document/cover/isbn/9781800733770/original |
language |
English |
format |
eBook |
author2 |
Bauman, Matthew, Collenberg-González, Carrie, Davidson, John E., Doerre, Jason, Etzler, Melissa, Harris, Stefanie, Maughan, Curtis L., Pfleger, Simone, Pinkert, Anke, Porter, Cynthia, Sheehan, Martin P., Zachau, Reinhard, |
author_facet |
Bauman, Matthew, Collenberg-González, Carrie, Davidson, John E., Doerre, Jason, Etzler, Melissa, Harris, Stefanie, Maughan, Curtis L., Pfleger, Simone, Pinkert, Anke, Porter, Cynthia, Sheehan, Martin P., Zachau, Reinhard, |
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author_sort |
Bauman, Matthew, |
title |
Moving Frames : Photographs in German Cinema / |
spellingShingle |
Moving Frames : Photographs in German Cinema / Film Europa ; Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- Introduction PHOTOGRAPHS AS RUPTURE AND AFFECT IN GERMAN FILM -- Chapter 1 LAYERS OF EXPOSURE The Photographic Approach in Gerhart Lamprecht’s Zille Film Slums of Berlin (1925) -- Chapter 2 OBJECTING OBJECTS Photographs and Subjectivity in The Blue Angel (1930) -- Chapter 3 BEFORE- AND AFTERLIVES On the Stillness of Photographs at the Outset of Adenauer Cinema -- Chapter 4 FILMING AFTER WALKER EVANS Wim Wenders’ “American Photographs” in Kings of the Road (1976) -- Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981) -- Chapter 6 THE PROMISE OF AGENCY Photographs and Value in Tattoo (2002) -- Chapter 7 CURATING THE IMAGE Visual Intertextuality in The Baader Meinhof Complex (2008) -- Chapter 8 RE-PRESENTING GERMAN HERITAGE FILMS Photographic Memory in Aimée & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya: Welcome to Germany (2011) -- Chapter 9 IMAGING THE “GOOD LIFE” Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) -- Chapter 10 VIOLENCE, DEATH, AND PHOTOGRAPHS Capturing the (Un)Dead in Rammbock (2010) -- Chapter 11 POSSIBLE ARCHIVES Encountering a Surveillance Photo in Karl Marx City (2016) -- Afterword TOWARD A CAMERA LUDICA Agency and Photography in Videogame Ecologies -- INDEX |
title_sub |
Photographs in German Cinema / |
title_full |
Moving Frames : Photographs in German Cinema / ed. by Martin P. Sheehan, Carrie Collenberg-González. |
title_fullStr |
Moving Frames : Photographs in German Cinema / ed. by Martin P. Sheehan, Carrie Collenberg-González. |
title_full_unstemmed |
Moving Frames : Photographs in German Cinema / ed. by Martin P. Sheehan, Carrie Collenberg-González. |
title_auth |
Moving Frames : Photographs in German Cinema / |
title_alt |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- Introduction PHOTOGRAPHS AS RUPTURE AND AFFECT IN GERMAN FILM -- Chapter 1 LAYERS OF EXPOSURE The Photographic Approach in Gerhart Lamprecht’s Zille Film Slums of Berlin (1925) -- Chapter 2 OBJECTING OBJECTS Photographs and Subjectivity in The Blue Angel (1930) -- Chapter 3 BEFORE- AND AFTERLIVES On the Stillness of Photographs at the Outset of Adenauer Cinema -- Chapter 4 FILMING AFTER WALKER EVANS Wim Wenders’ “American Photographs” in Kings of the Road (1976) -- Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981) -- Chapter 6 THE PROMISE OF AGENCY Photographs and Value in Tattoo (2002) -- Chapter 7 CURATING THE IMAGE Visual Intertextuality in The Baader Meinhof Complex (2008) -- Chapter 8 RE-PRESENTING GERMAN HERITAGE FILMS Photographic Memory in Aimée & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya: Welcome to Germany (2011) -- Chapter 9 IMAGING THE “GOOD LIFE” Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) -- Chapter 10 VIOLENCE, DEATH, AND PHOTOGRAPHS Capturing the (Un)Dead in Rammbock (2010) -- Chapter 11 POSSIBLE ARCHIVES Encountering a Surveillance Photo in Karl Marx City (2016) -- Afterword TOWARD A CAMERA LUDICA Agency and Photography in Videogame Ecologies -- INDEX |
title_new |
Moving Frames : |
title_sort |
moving frames photographs in german cinema |
series |
Film Europa ; |
series2 |
Film Europa ; |
publisher |
Berghahn Books, |
publishDate |
2022 |
physical |
1 online resource (258 p.) |
contents |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- Introduction PHOTOGRAPHS AS RUPTURE AND AFFECT IN GERMAN FILM -- Chapter 1 LAYERS OF EXPOSURE The Photographic Approach in Gerhart Lamprecht’s Zille Film Slums of Berlin (1925) -- Chapter 2 OBJECTING OBJECTS Photographs and Subjectivity in The Blue Angel (1930) -- Chapter 3 BEFORE- AND AFTERLIVES On the Stillness of Photographs at the Outset of Adenauer Cinema -- Chapter 4 FILMING AFTER WALKER EVANS Wim Wenders’ “American Photographs” in Kings of the Road (1976) -- Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981) -- Chapter 6 THE PROMISE OF AGENCY Photographs and Value in Tattoo (2002) -- Chapter 7 CURATING THE IMAGE Visual Intertextuality in The Baader Meinhof Complex (2008) -- Chapter 8 RE-PRESENTING GERMAN HERITAGE FILMS Photographic Memory in Aimée & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya: Welcome to Germany (2011) -- Chapter 9 IMAGING THE “GOOD LIFE” Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) -- Chapter 10 VIOLENCE, DEATH, AND PHOTOGRAPHS Capturing the (Un)Dead in Rammbock (2010) -- Chapter 11 POSSIBLE ARCHIVES Encountering a Surveillance Photo in Karl Marx City (2016) -- Afterword TOWARD A CAMERA LUDICA Agency and Photography in Videogame Ecologies -- INDEX |
isbn |
9781800733770 9783110997668 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 G3 M68 42022 |
geographic_facet |
Germany |
url |
https://doi.org/10.1515/9781800733770 https://www.degruyter.com/isbn/9781800733770 https://www.degruyter.com/document/cover/isbn/9781800733770/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430943 |
dewey-sort |
3791.430943 |
dewey-raw |
791.430943 |
dewey-search |
791.430943 |
doi_str_mv |
10.1515/9781800733770 |
work_keys_str_mv |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2022 |
is_hierarchy_title |
Moving Frames : Photographs in German Cinema / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2022 |
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