Emotions, Ethics, and Cinematic Experience : : New Phenomenological and Cognitivist Perspectives / / ed. by Robert Sinnerbrink.
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how...
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Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2021 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | New York ;, Oxford : : Berghahn Books, , [2021] ©2021 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (144 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Preface
- Introduction: Phenomenology Encounters Cognitivism
- Chapter 1 Fascist Affect in 300
- Chapter 2 Other Sides Loving and Grieving with Heart of a Dog and Merleau-Ponty’s Depth
- Chapter 3 Elemental Imagination and Film Experience: Climate Change and the Cinematic Ethics of Immersive Filmworlds
- Chapter 4 Toward a Model of Distributed Affectivity for Cinematic Ethics Ethical Experience, Trauma, and History
- Chapter 5 Grey Gardens and the Problem of Objectivity: Notes on the Ethics of Observational Documentary
- Chapter 6 Synthetic Beings and Synthespian Ethics: Embodiment Technologies in Science/Fiction
- Index