Making Scenes : : Global Perspectives on Scenes in Rock Art / / ed. by April Nowell, Iain Davidson.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2021
• MitwirkendeR: Akkermans, Keshia A. N.,; Alexander, Craig,; Aschero, Carlos A.,; Bea, Manuel,; Chippindale, Christopher,; Clottes, Jean,; Conkey, Margaret,; Culley, Elisabeth,; David, Bruno,; Davidson, Iain,; Dobrez, Livio,; Dobrez, Patricia,; Domingo Sanz, Inés,; Domingo, Rafael,; Dubey-Pathak, Meenakshi,; Enloe, James G.,; Flood, Josephine,; Fäder, Eymard,; Huet, Thomas,; Karimi, Ebrahim,; Kelly, Madeleine,; Lenssen-Erz, Tilman,; Marks, Theodore P.,; Marretta, Alberto,; Mathiak, Brigitte,; Mazo, Carlos,; McCall, Grant S.,; Moro Abadía, Oscar,; Nowell, April,; Ross, June,; Schneier, Patricia,; Schroll, Andrew G.,; Spangler, Jerry D.,; Tapper, Bryn,; Utrilla, Pilar,; Van Gelder, Leslie,; Villaverde, Valentín,; Vogels, Oliver,; Wilson, Jordan,; Østerled Brusgaard, Nathalie,
• HerausgeberIn: Davidson, Iain,; Nowell, April,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (352 p.)

Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventio...

Table of Contents

• Frontmatter
• CONTENTS
• List of Illustrations
• Preface
• Introduction. Behind the Scenes: Did Scenes in Rock Art Create New Ways of Seeing the World?
• Chapter 1. Scenes and Non-Scenes in Rock Art
• Chapter 2. The Possible Signifi cance of Depicted Scenes for Cognitive Development
• Chapter 3. Event Depiction in Rock Art: Landscape-Embedded Plan-View Narratives, Decontextualized Profile “Scenes,” and Their Hybrid Instances
• Chapter 4. Defining “Scenes” in Rock Art Research: Visual Conventions and Beyond
• Chapter 5. Putting Southern African Rock Paintings in Context: The View from the Mirabib Rock Shelter, Western Namibia
• Chapter 6. Scenic Narratives of Humans and Animals in Namibian Rock Art: A Methodological Restart with Data Mining
• Chapter 7. Between Scene and Association: Toward a Better Understanding of Scenes in the Rock Art of Iran
• Chapter 8. Music and Dancing Scenes in the Rock Art of Central India
• Chapter 9. Hunting and Havoc: Narrative Scenes in the Black Desert Rock Art of Jebel Qurma, Jordan
• Chapter 10. Making a Scene: An Analysis of Rock Art Panels from the Northwest Kimberley and Central Desert, Australia
• Chapter 11. Scene but Not Heard: Seeing Scenes in a Northern Australian Aboriginal Site
• Chapter 12. A Comparison of “Scenes” in Parietal and Non-Parietal Upper Paleolithic Imagery: Formal Differences and Ontological Implications
• Chapter 13. Scene Makers: Finger Fluters in Rouffignac Cave, France
• Chapter 14. Maps in Prehistoric Art
• Chapter 15. Scenes in the Paleolithic and Levantine Art of Eastern Spain
• Chapter 16. New Insights into the Analysis of Levantine Rock Art Scenes Informed by Observations on Western Arnhem Land Rock Art
• Chapter 17. Rules of Ordering and Grouping in the Pitoti, the Later Prehistoric Rock Engravings of Valcamonica (BS), Italy: from Solitary Figures through Clusters, Graphic Groups, and Scenes to Narrative
• Chapter 18. Finding Order out of Chaos: A Statistical Analysis of Nine Mile Canyon Rock Art
• Chapter 19. Interpreting Scenes in the Rock Art of the Canadian Maritimes
• Chapter 20. The “Black Series” in the Hunting Scenes of Cueva de las Manos, Río Pinturas, Patagonia, Argentina
• Epilogue. Is There More to Scenes than Meets the Eye?
• INDEX