Sounds German : : Popular Music in Postwar Germany at the Crossroads of the National and Transnational / / ed. by Kirkland A. Fulk.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020
• MitwirkendeR: Fulk, Kirkland A.,; Hall, Mirko M.,; Howes, Seth,; Langston, Richard,; Littlejohn, John,; Shahan, Cyrus,; Simon, Sunka,; Stehle, Maria,; Werbeck, Kai-Uwe,
• HerausgeberIn: Fulk, Kirkland A.,
• Place / Publishing House: New York ;, Oxford : : Berghahn Books, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Physical Description: 1 online resource (140 p.)
• Other title: Frontmatter --; CONTENTS --; ILLUSTRATIONS --; Introduction INTO THE MUSIC ROOMS --; Chapter 1 Licht aus–Spot an: How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982) --; Chapter 2 The Birth of Autotune and the Loop of (West) German Identity --; Chapter 3 Wenn eine Band lange Zeit lebt: Puhdys, Politics, and Popularity --; Chapter 4 DIY, im Eigenverlag: East German Tamizdat LPs --; Chapter 5 Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule --; Chapter 6 Death in June and the Apoliteic Specter of Neofolk in Germany --; Chapter 7 Knitted Naked Suits and Shedding Skins: The Body Politics of Popfeminist Musical Performances in the Twenty-first Century --; Chapter 8 Searching for the Young Soul Rebels: On Writing, New Wave, and the Ends of Cultural Studies --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781789204735; 9783110997699
• DOI: 10.1515/9781789204735?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Kirkland A. Fulk.

For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.