Concentrationary Art : : Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts / / ed. by Max Silverman, Griselda Pollock.
Largely forgotten over the years, the seminal work of French poet, novelist and camp survivor Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. His concept of a concentrationary art—the need for an urgent and constant aesthetic resistance to the continuing e...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 |
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| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | New York ;, Oxford : : Berghahn Books, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (272 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Introduction: Lazarus and the modern world
- Part I Lazarus among Us
- Lazarean Dreams
- Lazarean Literature
- Part II Situating Cayrol’s Lazarean
- CHAPTER 1 Lazarean Writing in Post-war France
- CHAPTER 2 The Perpetual Anxiety of Lazarus the gaze, the tomb and the body in the shroud
- Part III Reading with the Lazarean
- CHAPTER 3 Concentrationary Art and the Reading of Everyday Life (in)human spaces in Chantal Akerman’s Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
- CHAPTER 4 Cinematic Work as Concentrationary Art in Laurent Cantet’s Ressources humaines (1999)
- CHAPTER 5 After Haunting a conceptualization of the Lazarean image
- CHAPTER 6 Lazarean Sound the autonomy of the auditory from Hanns Eisler (nuit et brouillard, 1955) to Susan Philipsz (night and fog, 2016)
- Concluding Remarks
- Index