Sofia Coppola : : The Politics of Visual Pleasure / / Anna Backman Rogers.
A feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work… Roge...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2018 |
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2018] ©2018 |
| Year of Publication: | 2018 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (200 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Introduction The Surface of the Image is Political
- PART I Imaging Absence as Abjection and Imaging the Female Gothic as Rage
- CHAPTER 1 The Virgin Suicides (1999)
- Chapter 2 The Beguiled (2017)
- PART II Empty Subjectivities and Masculinity as Void
- Chapter 3 Lost in Translation (2003)
- CHAPTER 4 Somewhere (2010)
- PART III The Female Body as Patriarchal Currency and the Commodification of Female Identity
- CHAPTER 5 Marie Antoinette (2006)
- CHAPTER 6 The Bling Ring (2013)
- Conclusion On Beguilement
- References
- Index