Singing Ideas : : Performance, Politics and Oral Poetry / / Tríona Ní Shíocháin.
Considered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practit...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2017 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York ;, Oxford : : Berghahn Books, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Dance and Performance Studies ;
12 |
| Online Access: | |
| Physical Description: | 1 online resource (214 p.) |
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| LEADER | 03504nam a2200661 4500 | ||
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| 001 | 9781785337680 | ||
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| 100 | 1 | |a Shíocháin, Tríona Ní, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Singing Ideas : |b Performance, Politics and Oral Poetry / |c Tríona Ní Shíocháin. |
| 264 | 1 | |a New York ; |a Oxford : |b Berghahn Books, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (214 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Dance and Performance Studies ; |v 12 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Acknowledgements -- |t Chapter 1. Singing Ideas -- |t Chapter 2. ‘Where Everything Trembles in the Balance’ -- |t Chapter 3. Singing Parrhesia -- |t Conclusion. Singing Ideas in Society -- |t Appendix of Songs and Lore -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Considered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | |a Irish poetry |x History and criticism. | |
| 650 | 0 | |a Oral tradition |z Ireland. | |
| 650 | 0 | |a Singing |x Political aspects |z Ireland. | |
| 650 | 0 | |a Singing |x Social aspects |z Ireland. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 653 | |a Performance Studies, History: 18th/19th Century, Anthropology (General), Literary Studies. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2017 |z 9783110998214 |o ZDB-23-BHBO |
| 776 | 0 | |c print |z 9781785337673 | |
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| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781785337680 |
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