Mad Mädchen : : Feminism and Generational Conflict in Recent German Literature and Film / / Margaret McCarthy.
The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identif...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2017 |
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (270 p.) |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- CHAPTER ONE German Feminism in the 2000s Brains, Bodies, and Bridges
- CHAPTER TWO Lost Objects, Monsters, and Melancholia in Zöe Jenny’s The Pollen Room, Alexa Hennig von Lange’s Relax, and Elke Naters’s Lies
- CHAPTER THREE Dialogical and Borderline Selfhood in Charlotte Roche’s Wetlands (2008) and Wrecked (2011)
- CHAPTER FOUR Girls Gone Wild Ulrike Meinhof, Uschi Obermaier, and Feminist Fantasies of ’68
- CHAPTER FIVE Counter-Cinema, Crossing Bridges, and Future Feminisms: Christian Petzold’s The State I Am In (2000) and Fatih Akin’s The Edge of Heaven (2007)
- CHAPTER SIX Mutable Mädchen: On Screen and in the Streets
- Bibliography
- Index