Organic Cinema : : Film, Architecture, and the Work of Béla Tarr / / Thorsten Botz-Bornstein.

The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2017
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Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2017]
©2017
Year of Publication:2017
Language:English
Online Access:
Physical Description:1 online resource (238 p.)
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100 1 |a Botz-Bornstein, Thorsten,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Organic Cinema :  |b Film, Architecture, and the Work of Béla Tarr /  |c Thorsten Botz-Bornstein. 
264 1 |a New York;   |a Oxford :   |b Berghahn Books,   |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (238 p.) 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Introduction --   |t CHAPTER 1 Cinema, Architecture, Literature --   |t CHAPTER 2 Central Europe --   |t CHAPTER 3 What Is “Organic?” --   |t CHAPTER 4 The Melancholy of Evolution --   |t CHAPTER 5 Where Is the Center? --   |t CHAPTER 6 Modernism and Postmodernism --   |t CHAPTER 7 Organic Harmonies --   |t CHAPTER 8 Back to Humanism? --   |t CHAPTER 9 Politics of Harmony --   |t CHAPTER 10 The Spiritual --   |t CHAPTER 11 Organic Places --   |t CHAPTER 12 The Organic Camera Shot --   |t Conclusion --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) 
650 0 |a Tarr, Baela  |x Criticism and interpretation. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
653 |a 20th century. 
653 |a aesthetics. 
653 |a architects. 
653 |a architecture. 
653 |a art. 
653 |a artists. 
653 |a beauty. 
653 |a bela tarr. 
653 |a buildings. 
653 |a career. 
653 |a cinema. 
653 |a design. 
653 |a engaging. 
653 |a film analysis. 
653 |a film criticism. 
653 |a film school. 
653 |a film studies. 
653 |a filmmaking. 
653 |a history criticism. 
653 |a history. 
653 |a hungarian filmmaker. 
653 |a innovative study. 
653 |a long take. 
653 |a organic principles. 
653 |a organic. 
653 |a original analysis. 
653 |a page turner. 
653 |a performing arts. 
653 |a philosophy. 
653 |a realistic. 
653 |a science and math. 
653 |a slow cinema movement. 
653 |a theater. 
653 |a venerable concept. 
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